Learn to Monkey Chant!

topic posted Sat, September 27, 2008 - 12:38 PM by  raku
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What: Come to Balinese Monkey Chant (aka Kechak) with Grady Cousins. Grady is the dynamic leader of monkey chant that has lead monkey chant at Burning Man for the past several years. Monkey chant is an amazing kinesthetic meditation: movement and overlapping vocalizations come together for a really amazing experience. If you've not seen it before, throw "monkey chant" in to a youtube search and you'll get a feel for it (you can often see Grady in the Burning Man Monkey Chant videos). It was also featured as a segment in the movie Baraka.

When: Sunday, September 28th from 3-6 pm
Monday, September 29 from 6:30-9 pm

Where: The Little Church
5138 Ne 23rd Ave
Portland, OR 97211
(one block North of Alberta on 23rd)

$10 to $20 sliding scale, no one turned away for lack of funds. Bring along a water bottle for rehydration. We'll pause mid-way for a little snack break as well, so bring along munchies if you want. During a lot of the chanting we're sitting on the floor, so if you want a sitting pad of some sort, bring one along.

example: www.youtube.com/watch
posted by:
raku
Portland
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  • Unsu...
     

    Re: Learn to Monkey Chant!

    Sat, September 27, 2008 - 1:38 PM
    monkey chanting is SOOOO PNW, really represents the cascadain emergent bioregional culture, our devotion to localization and resistance to globalism....

    ???
    • Re: Learn to Monkey Chant!

      Mon, October 6, 2008 - 11:18 AM
      There is a great clip of monkey chanting on the movie called Baraka. Highly recommended film of stills and brief moving pictures, movie.

      very powerful and inspirational.
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        Re: Learn to Monkey Chant!

        Mon, October 6, 2008 - 2:13 PM
        How can one adapt this monkey chant to the unique emergent culture that is happening in the PNW, or in portland specificly?
        unless the monkey chant inspires a new way of practice you run the risk of culturally appropriating the monkey chant.
        Portland can do better than that.
        there are no monkeys in portland out side of the zoo and perhaps burnside, so how about putting your heads together in prayer and contemplation and attempt to figure out a practice inspired by the monkey chant but that is specific and uniique to portlands emergent culture?
        how about a salmon chant with actions and movements that are inspired by the salmon, much in the same way that the monkey chant is inspired by monkeys? or a raven chant, or a bear, or an elk chant with its high pitched whistles and magnificent running herds?
        my point being is that what you hope to achieve with the monkey chant could be ten times more meaningful and inspired if it was in relationship to the emerging culture that is happening in the PNW, something new inspired and culturally relevent has a much deeper impact on the people of a place.

        how does the imitation of monkeys in portland resonate with being a portlander? or a part of urban cascadia? of coarse the monkey chant is much more thene just the imitation of monkeys but still to acheive the goal that the monkey chant wishes to acheive with out running the risk of cultural appropriation is a unique challenge and a very inspiring and fun proposition.
        the culture that is emerging in cascadia is amazing and needs to be nurtured. other traditions can be a great source of inspiration, but taking them as our own just sets us back a step from developing that emergent culture. its like telling the mother to hold it in instead of push during birth.
        my .02$
        • Re: Learn to Monkey Chant!

          Mon, October 6, 2008 - 4:35 PM
          LLB~

          I completely see where you're coming from. And I do agree with you, nearly fully. Chants have origin and meaning behind them, some are ancient, some are newer than others.

          Overall, I would also like to hear about more chants and local chants based on our ancient native lands and occupants. Practicing chants from the local indian tribes would be more beneficial and perhaps empowering vs the monkey chant. You made a good point, we only monkeys in our zoo. Sad but needed.

          To each their own.
          • Unsu...
             

            Re: Learn to Monkey Chant!

            Tue, October 7, 2008 - 5:50 PM
            Thanks Jef...

            "Overall, I would also like to hear about more chants and local chants based on our ancient native lands and occupants. Practicing chants from the local indian tribes would be more beneficial and perhaps empowering vs the monkey chant."

            Unfortunately that would still be cultural appropriation. Animist/indigenous practices belong to indigenous people, they are the out come of many generations of relationships between a people and a place. Practicing the traditions of others is like imitating the relationship dynamic of a good friend of yours with his wife... in other words you have to begin your own relationship dynamic not imitate or appropriate that of anothers.
            Now finding inspiration from the monkey chat and local indigenous traditions is a great place to start. But that doesn't mean we should do what they do, we need to find our own relationships and our own ways of relating.

            How did these practices begin in the first place? It was generally speaking the inspiration of one person and it thus inspired others. At this point in history we have some what forgotten this and blindly follow or appropriate something pre-established.

            this story I allways feel illustrates the point I am making...

            A woman is cooking easter dinner with her mother for the first time in her own home. Her mother is sitting at the kitchen table chatting with her while she begins to prepare the ham. The daughter, slices off the ends of the ham and places it in a pot, then placing it in the oven.
            The mother seeing this asks her why she cut off the ends.
            The daughter replies, "Well thats how you do it I guess I learned it from you."
            The mother exclaims, "Well honey I do that because the pot I have for baking hams is too small for the hams to fit in, your pot fits just fine!"

            By practicing these traditions that are not our own we run the risk of missing the point and depth that these practices have for the people who originated them. Even for new generations of traditional people the depth of meaning can be missed like in the example of the mother and daughter, this is even more so the case for those who appropriate the traditions of others or imitate them.
            Finding inspiration in these traditions and forming our own ways of relating to life, spirit, community and place can create a depth of meaning for the individuals that is both new, original and connected to the ancients, in that we are following their foot steps in establishing our own ways of relating.
            I teach on this subject, and more and more people are finding their own ways of establishing relationships with life and place and community that are really rewarding to them, with out offending or insulting those who are members of traditions from other cultures they do not belong to.
            The new ways that are established by people are cultural relevant and more meaningful because they are based on relationships that are pre-existing and relevant, ie salmon instead of monkeys, I for one have never seen a monkey in the wild and have no real relationship with monkey out side of base symbolism.
            some one established these traditions... why not us?
            • Unsu...
               

              Re: Learn to Monkey Chant!

              Fri, October 17, 2008 - 2:52 PM
              alittle history on the chant...
              Kecak (pronounced: /'ke.tʃak/, roughly "KEH-chahk", alternate spellings: Ketjakand , Ketjack), a form of Balinese music drama, originated in the 1930s and is performed primarily by men. Also known as the Ramayana Monkey Chant, the piece, performed by a circle of 100 or more performers wearing checked cloth around their waists, percussively chanting "cak" and throwing up their arms, depicts a battle from the Ramayana where the monkey-like Vanara helped Prince Rama fight the evil King Ravana. However, Kecak has roots in sanghyang, a trance-inducing exorcism dance.[1]

              Kecak was originally a trance ritual accompanied by male chorus. German painter and musician Walter Spies became deeply interested in the ritual while living in Bali in the 1930s and worked to recreate it into a drama, based on the Hindu Ramayana and including dance, intended to be presented to Western tourist audiences. This transformation is an example of what James Clifford describes as part of the "modern art-culture system"[2] in which, "the West or the central power adopts, transforms, and consumes non-Western or peripheral cultural elements, while making 'art' which was once embedded in the culture as a while, into a separate entity."[3] Spies worked with Wayan Limbak and Limbak popularized the dance by traveling throughout the world with Balinese performance groups. These travels have helped to make the Kecak famous throughout the world.

              Performer, choreographer, and scholar I Wayan Dibia cites a contrasting theory that the Balinese where already developing the form when Spies arrived on the island.[4] For example, well-known dancer I Limbak had incorporated Baris movements into the cak leader role during the 1920s. "Spies liked this innovation," and it suggested that Limbak, "devise a spectacle based on the Ramayana," accompanied by cak chorus rather than gamelan, as would have been usual.[1]

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