strucuture and faeries..

topic posted Thu, May 5, 2005 - 9:37 AM by  mr.
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I have been sitting with this topic since i left the short mountain dance. SOme elder folks in the pavillion at the dancementioned we (faes) needed more strucuture. Recently i was talking to rosie d and harry hay popped up, reminding me through rosie that the naraya tradition is goodbecause it sho native people claiming power with spirit..but that faeries need their own access to their own power. So back to the topic do faeries need structure or dowe claim our own elusive strucutre already.

i believe we have own strucuture by how we deal with so many different people in our community and help so many on the margins. As faeries i beleive we love our people more communally than any other tribe probably, even if it is sometimes in a shady way, our talk is what keeps us together. But what type of otherstrucuture might be good for us, and how do we work with the knowledge that our naraya farie elder brother sistas gave us and still keep our integrity...

would love to hear other peoples input andbegin the conversation around....

much love and blessings
lapis
posted by:
mr.
offline mr.
New York City
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  • Re: strucuture and faeries..

    Wed, May 18, 2005 - 9:53 PM
    I have been thinking about this issue for five years now, since my first Naraya. Seeing the benefit of structure, seeing how the faerie energy flys when given just a little frame work. Also seeing the pitful falls, the head trips and ego games that structure and the illusions of power seem to promote. That helped me to see the beauty of a true circle, the power and freedom inhertent in Chaos. I would like to see something in the middle. No hierchy. No inner and outer.

    Here is what I see, My dream faerie gathering/ritual would be one in which every faerie was clear and working on thier intent. Only enough structure to inform and help clarify intention. Where everyone was focused and raising and where everyone was on the same page with the use of medicine plants and substances.

    WED
    • Re: strucuture and faeries..

      Mon, May 23, 2005 - 1:11 PM
      Thanks, Lapis, for asking this question.
      Wed, I got something from your response, this pragmatic idea of 'only enough structure to inform and help clarify intention'. Thank you, I feel that.

      I have danced this love-hate relationship with structure. First, I have had to reclaim the shadow aspects of structure, like the chains imposed on me by society and the dominant white male aspect of who I am.

      Then, there is a new found Peace, from which the right type of structures arise naturally. Like a tree, the structure is perfectly in tune with its surrounding ecosystem. It has its own rhythm.

      I was singing in the forest the other day and part of the Naraya came back to me. It was the free-form part of the Naraya,where anyone can be taken by Spirit, which we danced during the day. I was reflecting: the spontaneous nature of that part seems to perfectly balance the traditional, highly structured songs sung at night. As an improvising musician, I can appreciate the need to open to the Spirit of the moment in a playful and safe way, and yet we need the traditions to ground us.

      Lapis, you said that we have our own structure, and I believe that too. Kalaban-Kohl Siddhe Sister SS was asking 'Are we the Muses?' and I hear in her question an understanding that there is some magic about being a gatekeeper and being an artist. I don't know what it is, but I think we work best in places where there is both a strong connection to tradition and an open-mindedness to let it all go into the Great Present.

      Thanks again for putting this up.
      Love,
      Mercury
      • Re: strucuture and faeries..

        Mon, September 26, 2005 - 10:25 AM
        Hey Mercury and other sisters/brothers--
        I know these are old postings, but I feel words rising that must be shared, even if they disappear into the ethers. Faerie culture has plenty of structure-less forms and playfulness. If that aspect is what draws you to the Faeries, there's a multitude of playgrounds. But the Naraya is a structured ritual by nature. There's no such thing as a "Faerie Naraya," because it is a Shoshone ceremony for us to connect with our ancestors through their own ancestors. It is a gift to those of us who have had the line to our own ancestral tradition broken by history. If we were to plant a tree and dance around it singing our own songs, the same thing that we find so powerful about the Naraya would not happen, because we would have to remove the key ingredient -- the native american ancestry who are called by the traditional prayers and songs. And this is not to say we can't have our own traditional prayers and songs, but such compiling requires well... a structure of sorts... a history, at least a generation perhaps of knowledge passed on.
        The daytime circle around the tree you mention, Mercury, is something that was added years later, because Faeries were feeling divided, like this Naraya was a powerful ceremony and why can't the Faeries have as powerful a ceremony, too. It used to be a talking circle where a talisman was passed and people shared their experiences with dancing the night before. People were taken and at times there were walks around the tree, but there was a structure to it that seemed to fit better with the structure of the rest of the dance... in my opinion. I think that allowing this part to be somewhat of a divergence into Faerie culture was a risk that Clyde took. But Clyde could see that Faeries as a whole are people that understand the importance of connection with Divine and here was a way for the old tradition (Shoshone) to lend a hand to a new emerging one (the Faeries). But at SMS, it was toned down a bit and somehow seemed more integrated with the whole ceremony... into the structure.
        And that's all for now. Blessed be...
        Buffy

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