Robert Genn's missive for today:
"With a little help from the animals, vegetables and minerals, one of humanity's persistent habits is to colour ourselves with pigments and coloured objects. There are five main functions:
To be seen or noticed
To give info of rank or status
To warn of danger
To remain unseen or to confuse
To be admired or desired
It seems that colour itself is loaded with potential power. Interestingly, it's the colours black and white (dark and light) that have the most differentiating variations in the vocabularies of the world's languages. Also, for some reason, women use colour as a verbal signifier almost twice as often as men. Men tend to use size.
Next to black and white, red is the most popular colour. It's also the last colour to go and the first to return in near-death experiences. Associations with blood, soil and sensual stimulation account for some of red's historic popularity. Red roses arrive with Valentine's red heart.
Psychologist Nick Humphrey notes that in the case of "flame," both safety and danger are signified. It's the ambiguity that's important. Red depends on context. Apparently, red asks us to gather more information.
It's safe to say that with the advent of modern dyes and pigments, there is more colour around these days. Bright colours were formerly rare and had to be coaxed from sources like bird feathers, cochineal beetles or cow's urine. Do we now suffer from colour overkill? Is colour losing her winning ways? Incredibly, the British Army was formerly tailored in red; the appearance of power and threat having more value than ease of shot. Of course, red still signifies danger (stop signs are generally red) and is present on almost every national flag.
From a painter's point of view, a "red surprise" is most effective for bringing focus and heightened interest to many works. "Warm is better than cool," say some of the colour pundits. Red will remain forever hot."
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Although, in general, green is my favourite colour, I love making the opportunity of using red as a keynote colour in paintings, photos, etc.
Thoughts on this topic?
"With a little help from the animals, vegetables and minerals, one of humanity's persistent habits is to colour ourselves with pigments and coloured objects. There are five main functions:
To be seen or noticed
To give info of rank or status
To warn of danger
To remain unseen or to confuse
To be admired or desired
It seems that colour itself is loaded with potential power. Interestingly, it's the colours black and white (dark and light) that have the most differentiating variations in the vocabularies of the world's languages. Also, for some reason, women use colour as a verbal signifier almost twice as often as men. Men tend to use size.
Next to black and white, red is the most popular colour. It's also the last colour to go and the first to return in near-death experiences. Associations with blood, soil and sensual stimulation account for some of red's historic popularity. Red roses arrive with Valentine's red heart.
Psychologist Nick Humphrey notes that in the case of "flame," both safety and danger are signified. It's the ambiguity that's important. Red depends on context. Apparently, red asks us to gather more information.
It's safe to say that with the advent of modern dyes and pigments, there is more colour around these days. Bright colours were formerly rare and had to be coaxed from sources like bird feathers, cochineal beetles or cow's urine. Do we now suffer from colour overkill? Is colour losing her winning ways? Incredibly, the British Army was formerly tailored in red; the appearance of power and threat having more value than ease of shot. Of course, red still signifies danger (stop signs are generally red) and is present on almost every national flag.
From a painter's point of view, a "red surprise" is most effective for bringing focus and heightened interest to many works. "Warm is better than cool," say some of the colour pundits. Red will remain forever hot."
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Although, in general, green is my favourite colour, I love making the opportunity of using red as a keynote colour in paintings, photos, etc.
Thoughts on this topic?
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Re: The Power of Red
Fri, February 29, 2008 - 7:02 AMRed also excites the parasympathetic nervous system. It can quicken the heartbeat, increase blood pressure and raise the rate of respiration.
I thought it was used irresponsibly during the 2004 Republican Convention. The television shots were set up so the gigantic wavy flag in the background made a red background for all speakers. Their provocative content (war, terrorism and fear) delivered within a ground of red was too much, in my opinion. I thought if people weren't fired up enough, the red would surely take them over the top.
I have red plastic objects from the '50s around my house. They are intensely deep, I suspect, because of cadmium.
I once used a lot of cadmium red. I'm pretty sure that was the cause of some pretty serious health problems. I now use synthetic substitutes (and ban cadmium from the classroom. There are some great reds out there without mucking about with heavy metals, but I still love to look at the richness of cadmium.
The now-defunct Polaroid film was best suited for red. Here's a photograph of red felt fabric: people.tribe.net/85c5a0c2-...a6299fa1cc -
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Re: The Power of Red
Fri, February 29, 2008 - 9:57 AMwow that red fabric is a beautiful color!
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Re: The Power of Red
Fri, February 29, 2008 - 10:54 AMyeah kodak had thier own polaroid like system years back that was a bit more biased towards red, i think polaroid killed it legally wise, made lovely pix. red...the colour of sex for sure.i have been told that dogs only see in black+ white but i have noticed they show more intrest in red than other colours, red =blood=food ...i guess.
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Re: The Power of Red
Fri, February 29, 2008 - 10:53 AMAnthropologists say the earliest known use of paint was in the burial rituals of Neanderthals, who rubbed red ochre pigment mixed with water onto the skin of a dead person, perhaps to restore the appearance of life, or to magically assure continuation of the spirit in an afterlife. -
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Re: The Power of Red
Fri, February 29, 2008 - 12:49 PMits the color of our blood whats more amazing than that...
we are the colour of oxidized iron.... we are oxidized iron....
.... this made me think of this
lh6.google.com/rebekahcom...ndyred.jpeg
...be excellent -
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Re: The Power of Red
Fri, February 29, 2008 - 1:12 PMOxidized iron, so true. Fresh blood smells like metal. -
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Re: The Power of Red
Fri, February 29, 2008 - 1:15 PM
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Re: The Power of Red
Sat, March 1, 2008 - 8:38 AMRed is representative of activity/action, Life, blood, force, martiality,
'To be admired or desired '... uh, I'd say it is worn by those that don't love themselves enough and Are Seeking Attention.
ML.
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Re: The Power of Red
Mon, March 3, 2008 - 8:46 AMReading this thread i can not help but think of , and mention for obvious reasons, a wonderful book.
My Name is Red, By Orhan Pamuk
Throughout the book, different chapters are narrated by different characters...some of these being elements from miniaturist paintings.
One chapter is narrated by the color Red. chapter 31-I am Red
Its a short 3 page chapter- worth a read while standing in a book store if you want just a taste.
Red speaking, a partial quote:
"I hear the question upon your lips: What is it to be a color?
Color is the touch of the eye,music to the deaf,a word out of the darkness.....
and another:
"I do not conceal myself: For me, delicacy manifests itself neither in
weakness or subtlety, but through determination and will. So I draw
attention to myself. I'm not afraid of other colors, shadows, crowds or even
of loneliness. How wonderful it is to cover a surface that awaits me with my
own victorious being. Whenever I'm spread. I see eyes shine, passions
increase, eyebrows rise, and heartbeats quicken............"
the whole chapter is beautiful, for that matter, so is the whole book.
I will cut and paste info about the novel here from Booklist:
A dead man, a dog, a murderer, a coin, two lovers, and a tree take turns narrating this tale, which is Pamuk's follow-up to the well-reviewed but little read The New Life (1997). Set in sixteenth-century Istanbul, the novel is equal parts mystery, love story, and a philosophical discussion on the nature of art and artistic vision. Two men have been killed: Elegant, a miniaturist engaged (with others) on a book project glorifying the life of the sultan, and Enishte, the man who hired the artists to do the book. During a trip to Venice, Enishte became particularly entranced with the new Italian painting, particularly its use of perspective and figurative art. He urged his employees to adapt the new art form in their illustrations of the grand book they are producing. Black, Enishte's nephew, wants to win the hand of Enishte's daughter, Shekure, which he can only do by solving the murders. This intellectual mystery will appeal to fans of Eco, Pears, and Perez-Reverte. Nancy Pearl -
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Re: The Power of Red
Tue, March 4, 2008 - 1:13 AMi love reds effect with the colour around it....
www.kag.uk.com/splashback...d-black.jpg
www.ferneyhoughgallery.com/imag...d.jpg
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