This post was deleted by Adel, M.C.

ah smart! Hey I thought you are Arab? But that's a great method for me ;-)

Hey, great stuff, thank you Adel!

Here are the lyrics which Asra showed me on bhuz: asra-bellydance.com/leylet%20hob.html

Norma Warah posted the following comment on the musical qualities of the piece:

"While Abdel Wahab restrained himself in "Inta Omry," some of his later pieces for Oum Kalthoum indulge in whimsical juxtapositions of disparate styles. He has a perverse penchant for including waltz passages out of the blue. "We Marat El Marat" (1970) which contains some remarkable, more or less purely Arabic instrumental passages, bogs down in a waltz section for no apparent musical reason. Yet some of Abdel Wahab's late works for Kalthoum should have appeal to listeners who are in the mood for wild contrasts. Some of his material for her from the late '60's and early '70's, "Laylat Hob" for example, is colored by a vaguely camp/psychedelic quality which might be interesting to fans of Nino Rota's sound-tracks (the same is true, with even more extreme examples, in other recordings of that era, and later in the '70's, by singers such as Abdel Halim Hafez and Warda)."

thank you for your kind words!
btw. the idea of love expressed in the lyrics is sublime! I really enjoy the music more now that I know.