Metaphors and Similes fall under the larger category of "figurative language."

"I can only talk dirty in fiction. Then I can get all kinds of creative. But it's much easier to avoid repetition when you've got time to go back and edit. You can't really do that mid-scene."

I've got to agree with Elusive Grace. I can write pages upon pages that will keep you playing, make you cum, and then be ready for the next climax. It's the dirty talk that I can fall short on.

Lynn


P.S. "Oh, um, by the way, when I said that a finger in my ass is like an orange, I actually meant a pineapple."

Ouch, all I can say to that is at least an orange is smooth!!!

I used to hate talking dirty. When I was a stripper, clients always wanted me to talk dirty to them, and my stock cheezy answer was, "Oh baby, I'm all action, no talk." A long-distance flirtation with lots of dirty IM-ing changed that, and now I rather enjoy it. One thing I've realized is that cliches are okay. There's a reason, "Ram your big, hard cock hard into my poor, sore violated little asshole" works. It's hot. No need to wildly extrapolate (though I gotta admit, I like the orange . . .). For more extended verbal scenarios, you can describe everything y0u wish would happen . . . "I love it when you wrap your big, strong hands around my wrists and pull my arms back, pinning me down and spreading me wide open. When you kick my legs open, it makes me so wet. Because I know you're going to be torturing my ass soon,.. I want it so bad, but I'm afraid of what you're going to do to me." And so on. You can set the whole scene, not just talk about the act itself. I enjoy talking about the mental aspect . . . what I want, what I fear, what I feel dirty for fantasizing about, what i hope he won't do, etc.