Someone once asked me “If you could only have one DVD in your collection, what would it be?”

I think I’m going to have to go with this one.

“Secrets of the Stage” is quite possibly the best works I’ve seen. From the amount of material presented, to the clear and concise descriptions, to the exercises and performances, to the price, this DVD is a must-have for any dancer interested in performing. It’s pretty rare for me to define anything as a “must have,” but I can definitely say that this video can benefit *any* belly dancer, regardless of style, who wants to step out onto the stage. The tips offered by the dancers throughout this video are inspiring and encouraging, making you want to put into practice what they’re advising.

The DVD is divided into three sections: Calmness and Simplicity, You and Your Music, and Focus and Energy Protection. Designed to help you perfect your performance skills, several of these main categories are further divided into additional parts that complement each main topic. After these “discussion topics,” comes a section of exercises that help dancers not only learn from what is covered on the DVD but instantly put it into practice. My favorite feature, as others have mentioned, is that each concept is demonstrated by a clip of a professional dancer in a live, staged setting narrated by the dancer herself. This was absolutely invaluable! How often are you able to get inside the mind of another performer while she or he is dancing? This is such a wonderful addition to this and will definitely help viewers to find new ways to approach their own personal attitude towards performances.

Calmness: Michelle first offers a brief explanation of the topic. Then she provides a valuable discussion of why this topic is important for performers. In the Calmness Section, Michelle gives detailed reasons as to why it would benefit you to be calm on stage. She offers numerous tips such as the fact that an audience can pick up on nervousness and that calmness will help you manage any crises that arise. These elaborations were great and went beyond the simple idea of “be cool and collected” that we all probably know. Michelle’s clear descriptions and honest candidness are refreshing and I found myself really paying attention to what she was saying. The material is presented in such a friendly, open way. I confess that I watched this several times to review it – a few times first to take a ton of notes as I got because I wasn’t able to write the review until I jotted down all the juicy bits first for myself!.

My favorite part of this section involved the inclusion of clips of herself and another dancer during live staged performances. Through each clip, the performer discusses what was happening (and, yes, these are actual clips of “could be disastrous” performances) and what her mindset was while dancing. During each of these sections, the narrators give so many great tips. They move beyond simply explaining what was happening and really give the watcher some excellent pearls of wisdom.

Fight or Flight: I’m notorious for having gripping stage fright before performing. I’ve never been sure where it comes from, but after watching this video I definitely know the basic mechanics of it! Michelle starts with a description of why the body is reacting the way it does when the nerves kick in. It’s great that she included this, because *knowing* why your body is behaving in this manner can really help when trying to correct it. Along with additional exercises elsewhere in the DVD, Michelle next offers some excellent exercises to relive tension before performing.

Simplicity: Here Michelle talks about the idea of “over dancing.” I was so glad to see this included, because this is something that seems to be creeping into our dances more and more with the luxury of so many wonderful ideas via the intent and so many great dance DVDs. If you’re a dancer that feels preoccupied with the idea of doing as much as you can at one time this section will help you to slow down and appreciate the idea of simplicity in dance. Over thinking your performances? This part will certainly help. The two dance performances included are beautiful and clearly illustrate this idea and once again the accompanying narration traces the dancers’ thoughts on the subjects. It is helpful to get their impressions, too, in addition to Michelle’s thoughts. Here the idea that “less is more” is beautifully illustrated.

You and Your Music: This is a section that, once again, offers a number of valuable tips for those perfecting their performances and pros alike. “Your job as a dancer is to interpret the music for the audience,” begins Michelle and from there she offers a different sort of approach to using the music. She explains the way she personally approaches musical interpretation and the different things that a dancer can listen for in each song. Everything from more basic ideas of the beat vs. the melody to more advanced concepts such as specifically selecting certain sections of the music to highlight is included here for the aspiring performer. Michelle also talks here about choreography versus improvisation, and offers tips on how to begin improvising for those who are not quite sure how to dance fluidly without a plan. Three clips are offered here – one performance where the dancer discusses how she improves and two wherein the dancers discuss how they choreography and get ready to utilize movements.

Focus and Energy Protection: Have you ever seen a dancer that has “it?” That sparkle onstage that compels you to watch, regardless of how complicated her movements or how pretty her costume? If you’re wondering how it is those dancers *do* that, this is the section for you. Here Michelle talks about different ways to project emotion and intent onstage. She talks about how to make a connection with not just the audience as a whole but each individual, describing ways to focus and captivate your audience. Here the two dances selected to illustrate the topic are quite different, giving two dramatically distinct examples of focus and emotion.

Exercises: Michelle includes resources to improve relaxing, improvisational skills, and one’s focus. The relaxation exercises move beyond what was briefly covered in the Calmness section. Drawing from sports psychology, Michelle has created a very useful 11 minute long exercise for those dancers with pre-performance jitters. The next study focuses on improvisation. First comes a “chair dance” where dancers are encouraged to sit down, focus on the upper body, and get creative! Michelle demonstrates how the exercise should go and then reminds dancers to do it on their own in order to get the most benefit from it. This was a wonderful way to see how another dancer would approach this challenge, while providing dancers with a wonderful improvisational exercise. The second improv exercise is truly designed to help dancers improve their ability to dance to music on the fly. Michelle encourages dancers to be uninhibited and enjoy whatever comes out in order to grow as a performer. During the exercise, the viewer has an opportunity to listen and then perform to the clip. For each of the clips the dancer can do this 4 times and must do something differently each time. Afterwards, there is an example of how the different featured dancers on the DVD interpret the same music. There are a total of 7 different clips that vary in style, giving a wide range of music to practice improvisation. The focus exercise is shot but sweet and once again perfectly illustrates the previously discussed concepts.

After watching this through once, I put it in again. And again. And again. This is definitely a DVD that will have you up and dancing and will inspire you to grow as a performer. Highly recommended!


What Worked for Me:
• Many of Michelle’s points are concepts that are not often taught in dance classes; ideas that one often only learns through years of performance practice. These are absolutely invaluable and it is wonderful to have them all conveniently collected in one place.
• Michelle is a great instructor. Once again, it is clear that she really knows what she is talking about and can put it into practice.
• The inclusion of performances to illustrate each section definitely helped me to visualize the concepts Michelle explains. The fact that she included different dancers in addition to herself was also great – different styles are covered from several talented performers.
• The price for the DVD in terms of what you are getting is absolutely affordable. Michelle delivers a wonderful piece for an incredibly reasonable price.

What Might Not Work for You:
• Honestly, there isn’t much at all. This is one of the few DVDs I’ve seen that is a “MUST” have for anyone considering performing. The only reason this might not work for you is if you didn’t want to perform!
posted by:
Misha
Sarasota
  • I agree it is a great DVD! if it had been my first DVD put out by cheeky girls I would have been less disappointed by this DVD. I was very disappointed that this DVD and the others I have bought seem to come from the sane raw material. It reminded me of Suhaila "performance" DVD that I bought along time ago. I was a huge fan of hers so I had nearly all of her work out DVD. When I saw the performance DVD I was SO happy, but when I put the DVD in it was just a collection of the performing off of her other DVDS! I felt so jiped. I had seen nearly all these before. I also had a similar let down by Saida and Kaya, I bought one DVD with them on it and I liked them so much that a brought another, only to find out that this new DVD had the same performances on it. I'm no longer a fan of these dancers. I feel this in stead of them putting out DVD for the love of teaching bellydance or giving back to there fan it was more about the money. I know it's a biz and all but if you respect your fans at least don’t give them some thing and then chew it up, regurgitate it back out and resale it to them, as many times as you can. Now I'm still a fan of cheeky girls and I respect what they are doing. But I hope in the future they at least put something a little new in each of the "new" DVDs.

    Toria
    • Toria did you see the preview clip before buying the DVD??
      I don't have this DVD yet, but I know that they used the clips from By Dancers for Dancers 2 to illustrate their points on what makes a good performance/dancer.

      As for Suhaila, she didn't release the Natural Journeys DVDs she was hired to be filmed, I doubt she has any saying on how many other DVDs NJ decides to put those performances on.

      Which Kaya and Sadie DVDs are you referring to??

      Maybe you should try being an educated consumer. There are plenty of people on Tribe and Bhuz.com who can tell you about the content of a DVD and can help you decide whether to spend or save your money.
      • Yeah, there is some reusing of footage that happens everywhere... I have seen many other performance DVDs of all dance styles "repackaged and resold". Hollywood Music Center has permission to use some of the performances on BDFD on upcoming compilation DVDs that feature performances to their music, so they may be released again in that context.

        But as for Secrets of the Stage, when you have some beautiful performance footage, and you have paid an arm and a leg for it, it is difficult to resist reusing it on instructionals also.... especially when they can be used so well to demonstrate the concept you are teaching. The value of Secrets of the Stage is the dancers' commentary and the footage of them dancing is not meant to be the main focus, rather, something to demonstrate their words.

        I even have some overlap on the wave of instructionals that were released last year (like the warm up, cool down and description of the basic moves) because I filmed them all in one day. I had released one for beginners, one for exercisers, and one for intermediate/advanced belly dancers. I never thought that anyone would buy more than one of them because they were marketed to different levels. Live and learn!

        I am wondering what the group thinks about this? If a teacher has a specific warm-up - is it appropriate to reuse the footage of it from a prior DVD? What about adding 5-10 minutes of footage from other DVDs in the "extras" section? What about performances at the end of instructionals - is it okay if they were featured on a performance DVD also? Do people feel ripped off by this even if a DVD has an hour of original footage?

        I have gone to great lengths to make these DVDs affordable, and cringe at the thought of anyone feeling ripped off or that I am motivated by greed. Anyone who feels unhappy that a DVD contains overlapping footage is encouraged to return it to me for a full refund. No questions asked.
        • Michelle, nobody here thinks you're motivated by greed.
          Obviously, I know you personally now that we have worked on DVDs together. But even when I only knew you from your website, I never had that impression of you.

          So, here is my two cents: I remember when you were making the DVDs, you (meaning Michelle here) specifically planned to targeted 2 different audiences. I know you were thinking there would be zero overlap between buyers: that one group would be General Public, and the other vdieo would be oriented toward existing dancers. I think that was a fine idea, no harm no foul.

          But then, who knew? that
          1.) belly dancers are everywhere these days
          and
          2.) Belly dancers are VERY dedicated shoppers. ..I wonder if it is even possible to market a DVD with any small amount of BD content in such a way that belly dancers will not find it. Also, the people who like a teacher will tend to buy up everything that teacher does. Ansuya is a good example of this, the people who like her videos just love them.
        • the second of my 2 cents

          Tue, January 15, 2008 - 11:43 PM
          ** I think the OP is really pointing to a much bigger issue than the "Dancers for Dancers" series. **
          Because it's very common to see stuff reissued. Not just with DVDs, but also music albums. (*cough, *cough, Peko!) Sometimes this is a good thing. There have been times I was really happy to see re-releases.
          The Rough Guide to Bellydance CD has a track "Dimashq" that I had once on cassette. I have been hunting high and low for this song. Or the Shik Shak Shok album with new cover. With the Natural Journeys DVDs, I know that they have pulled out the bonus performances from instructionals and released them as performances, several times. For me, I liked that because the DVDs are cheap, like less than 20 bucks and the performances are all I watched them for anyway. So it was nice to have a compilation. They did that with Suhaila, and also Rania's series, and also their other product lines with dance-fitness titles.

          For Secrets of the Stage, -- let's call it SOS, ha ha -- I do think it needed to be this way.
          The concept inherently calls for what is basically a postmortem examination of our pieces.
          the only way to have avoided overlap in footage would have been to shoot another complete 2-hour theater show, with all new numbers, costumes, etc. But then that would have pretty much sucked for the dancers in that hypothetical show. You would have had to be like "yeah, please come dance in a big show and you don't get to be on a performance DVD, just a few snippets on an instructional that is only a small niche will ever see. Wanna join?"

          Now, for the higher pricerange like IAMED I have to admit that I only own 1 of their instructionals. bonus performance on the Jindra/Paulina volume did have footage looked to have been shot just for the DVD, but it was lower-budget looking. Not on a theater stage, and certainly not up to the production standards of the gala shows they put on. It was good dancing, but did not have that electric 'live audience' feel.

          So, I dunno. I guess you could poll on some forums and ask what people prefer to see used as illustration during the narrative. Personally, I'd rather see the pretty-looking stage footage over dancers wiggling around in an empty restaraunt during off hours with no lighting. But the QUESTION is, do people want to pay more money to get the SOS series?

          To answer your question about warmups, I (wearing my consumer hat) have always thought it is just fine to repeat warmups. Warmups are not supposed to be novel and fun, they are supposed to prepare your body for the class which follows. ballet teachers could not give a hoot if you already learned plie. You're gonna do plies every class, period.
          • Re: the second of my 2 cents

            Wed, January 16, 2008 - 5:48 AM
            YOu all misunderstod me. I really love this DVD, My point is that I have 5 Cheeky girls DVDs. and this one was the lastest one I got. So at this point I was looking for something new. Maybe if I had bought only 1 or 2 it would not overlap. I know that the point of the DVD is not the preformances its self but the interveiws. And I know that this happens alot in the DVD nad CD bellydance world, not just cheeky girls. I just posted this comment here so that maybe that aspect will change.
            • Re: the second of my 2 cents

              Wed, January 16, 2008 - 11:37 AM
              No worries, I understand. I am glad you mentioned it because it is something I have been wondering about lately. I am working on the next Secrets of the Stage now and it does have a lot of new footage that is shot in nightclubs and restaurants because there is a whole segment about doing those kinds of shows. But I will be using some of the performance footage that we will be shooting for the next BDFD also. I just don't know how else to do it on a practical level. The only other way I could afford to make the DVD (keep in mind, they are being paid for out of my personal finances) would be to use footage of the dancers talking like on a TV interview instead of watching them dance. But is it worth is to sacrifice the quality just so 5-10% of the viewers won't see the same performance? I really am curious to know how other people feel about it.




              • Re: the second of my 2 cents

                Wed, January 16, 2008 - 2:20 PM
                Could you use or find some of your own "oops" performances? Maybe this could add to the "unseen" footage amount, make you more human to less skilled dancers (not that you aren't :O) ), and you don't have to pay yourself.
        • Michelle, I have absolutely no problem with the repetition of footage in the Secrets of the Stage DVD. I don't like it when a particular performance is used on more than 1 DVD if the performance is used as just a performance on both DVDs. However what you did was completely different - using it as a performance on one DVD that was promoted as a performance DVD, then using it to illustrate points on an instructional DVD that was promoted as an instructional DVD. Given the title of Secrets of the Stage alone, I would not have bought this DVD for the purpose of seeing new performances. I think what you have done is add a fantastic new dimension to those performances and I'm all for it.
          • I agree with Pixie and TamraHenna -- I had no problem with the repetition.

            What I WOULD like to see on instructionals would be maybe a BONUS performance. If you teach a choreography, I want to see that choreo performed, but it would be nice to have bonus performances only released on that particular instructional dvd.

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