Crystal Grid Network's topics - tribe.net

12:12 Portal

2013 — Wed, 12 Dec 2007 04:40:56 GMT

From our friend the archangel kupio

The 12:12 portal, is the 6 pointed star, sacred geometry - wise. Meaning: perfect integration of Spiritual and Physical.

Anyone else know more about this?

posted in Crystal Grid Network - 0 replies

Cosm

estrellasoul — Wed, 05 Dec 2007 07:00:29 GMT

Cosm

a dark place
long since graced by the light of thought
a thought, a single ray piercing
many layers of many minds, within your mind
a single thought connected to many
many that live in a place, a microcosm
that still wars
that still hungers
that still yearns for its dreams
and then the thought grows
flames kindled within, maybe still unknown
but you can feel their warmth, inside your heart
and see the change in your minds eye
a grand web through space and time
to travel upon to dreams come and spent
but yet unseen by you @ this time
dreams forgotten and eaten
and shared with many alike
all @ once yet turning, changing, growing, recieding
like a grand sea ebbs and flows
to unknown depths and heights we travel
to share our vibration
ever fluxuating with those around and within us
streaming with this question
which is its own answer
*~

posted in Crystal Grid Network - 1 reply

Merkabah

2013 — Tue, 04 Dec 2007 10:26:28 GMT

Merkabah

Merkaba Lightbody Crystals

Activates and clarifies the human Light Body.
Restores the memory of the infinite possibilities of our being .

Excellent tool to enhance and strengthen one's own light body.

Powerful learning aid for the Flower of Life Mer-Ka-Ba (light body) visualizations and meditations.
What is a Merkaba

Mer-Ka-Ba is a term from the Egyptian Mystery School. It is found in many languages including African Zulu, Egyptian and Hebrew. In Hebrew it means both the Throne of God as well as a Chariot that carries the human body and spirit from one place to another.

In Egyptian, Mer-Ka-Ba is derived from three words:

"Mer" is a special kind of light that was last understood in Egypt during the Eighteenth Dynasty: it is two counter-rotating fields of light spinning in the same space which are generated by certain breathing patterns.

"Ka" refers to the individual spirit

"Ba" is defined as the physical body or as one's interpretation of reality.
So, the Mer-Ka-Ba is a counter-rotating field of light that affects spirit and body simultaneously. It is a vehicle that can take spirit and body (or one's interpretation of reality) from one world or dimension into another. It can also create reality as well as move through realities. It is an inter-dimensional vehicle that can aid humanity to return to their original higher states of consciousness.

We humans have lost touch with the Geometric Energy Field that surrounds our bodies, according to Drunvalo Melchizdek, author of "The Ancient Secret of the Flower of Life vol 1 & 2" , and considered by many to be the leading authority on activating our personal Mer-Ka-Ba energy field vehicle. About thirteen thousand years ago, (the age of Atlantis) when we were more in tune with our own subtle energies and those of the earth, this personal field of light used to spin at close to the speed of light around our physical body, but it slowed down and stopped spinning after what he calls "the Fall". With this, most of us lost the ability we once had to communicate with other beings, the earth and our Creator.

When this field is reactivated through meditation, visualization, breathing techniques, and most importantly through the experience and expression of Unconditional Love, it begins spinning and is called a Mer-Ka-Ba. This process has been referred to as "Ascension" and "Spiritual Awakening". The Mer-Ka-Ba's usefulness in this reality is unparalleled. It gives us an expanded awareness of who we are, connects us with higher levels of consciousness and restores the memory of the infinite possibilities of our being.

...

Many of you who are working for the Light have found it hard to understand why you're experiencing such emotional and physical challenges. You're also experiencing shortages of money, endings of relationships & jobs, deaths of loved ones and major upheavel in and around your life. You are discouraged in your Light work. This isn't what I bargained for when I committed myself to the Light! I must be doing something wrong. Am I masochistic to continue with this work? It seems like the momentum behind the Lightworkers you know has slowed down. I have good news and good news for you: you aren't doing anything wrong and you're exactly where you're supposed to be. Sigh...

It's Not Just About Love and Light

This may come as a shock. All of us have chosen to be on this planet at this time to play the Polarity Integration Game NOT the Love and Light Game. That means integrating our DARK sides with our LIGHT sides. Try as we may, we can't seem to escape our dark sides and our little egos for very long. They seem to be pulling us farther and farther from the Light where we really want to be. Here's a radical concept: Our dark energies, wounds and fears are our FUEL to the Fifth Dimension and Compassion is how we do it. Did you know that Compassion is a higher frequency than love!? If we didn't have our dark energies, we'd have nothing to transform into Compassion. In order to ascend we need to raise our body's vibration and clear out as much of our Third Dimensional emotional density as possible. What does that look like?

Kicking It Up A Notch

When you chose to work for the Light and walk a Spiritual Path, whether you realized it or not, you signaled your High Self that you were ready and willing to take your Polarity Integration Game to the next level. What does that look like?
Whatever you're going through in your life will speed up. You're changing on a deep inner level and that will be reflected back to you in your outer life. Issues will come up within and without you that require a new perspective to clear and heal. The old Three Dimensional tools won't work anymore. This can all be very exhilarating when new things seem to zip into your life at lightspeed. And it can feel just the opposite when your life structures seem to be crumbling around you. Humanity needs new tools to navigate these new waters. More on those tools a little later.

Our Agreements

Before you were born, you and your Spirit Guides decided the main lessons you wanted to work on in this lifetime. Other Souls stepped forward and agreed to come to earth at the same time to play certain roles so you could learn your lessons. Some of these roles were VERY hard to carry out. Perhaps your lesson was Forgiveness so you needed Souls to step forward in roles that would give you something to forgive. These Souls love you so much that they will play very negative roles, triggering you over and over again until you eventually recognize your own emotional patterns. They risk total rejection and abandonment for playing this role for you.

Becoming Multidimensional means viewing your life from the higher perspective. The healing process begins when you realize the other person is playing a role so you can learn an important lesson. You are no longer a victim. You never really were a victim. But you believed you were. What you are creating in your life is a direct reflection of your beliefs. You have a fundamental emotional pattern that sets up an energetic field of attraction. Those who also have that emotional pattern will find you and so it begins. You co-create every part of your life in partnership with Souls that have the same or similar pattern and this is where the little dramas take place. You get all caught up in the story of what happened instead of thinking about the higher perspective'.

When you are Multidimensional you realize your life is so much more than it seems. And remember, your Soul has agreed to play roles for a lot of other people too. It goes both ways. Due to the space limitations of this article, I can only scratch the surface of this topic. Something happens when you realize the lesson and how that person played a role so you could learn it. You begin to feel gratitude to them that they did their job good so you could learn your lesson. You'd never have learned it without them.

Your Gratitude transmutes into Joy and progresses to great Compassion for the person for having loved you enough to play the difficult role. Anger completely dissolves. You feel gratitude, love, joy & compassion flowing through your physical bodylike a rain shower. We call these the Rain of Blessings. It feels so good! This is the true test. If you don't feel the blessings, you need to do more work on the forgiveness. And so it goes...

You need Multidimensional Tools

So now you know you're Multidimensional, that you're responsible for your choices and no longer a victim. But your life is still full of difficulties, limitations and your health isn't too good. Where do you go from here?

There are several multidimensional tools and the best place to start is Crystal Triangle Lightbody Activation. This is the best method I know of for raising your body's vibration and supporting your accelerated Polarity Integration Game. When you do Lightbody Activation you also activate the Merkaba around your body. The Merkaba is your vehicle for Ascension.

During a Lightbody Activation session with a client I may clear old stuck energy, remove past life blockages, repair auric tears, balance the chakras and much more. I have three other dimensional activations available after your Lightbody is completely activated, so all in all there are Four Activations.

The Compassion Point

I've found that Lightbody Activation isn't enough to prepare you for ascension. You need to complement the Four Activations with deep emotional clearing and forgiveness work. Remember, Compassion is a much higher frequency than love. Every time you go through the Compassion Process you raise your body's vibration more and more.

When you've released the emotions and forgiven the other person and yourself, you've reached the Compassion Point. You'll experience joy and unconditional love physically. This feeling is SO WONDERFUL it's worth all the hard emotional work you have to go through to get there. There's a bonus: every time you experience the Compassion Point you are changing on a cellular level and activating dormant DNA receptors. You are changing your DNA from carbon to crystalline with each Compassion Point and with each Lightbody Activation.

In my Astrology practice, I work with clients who are experiencing the accelerated Polarity Integration Game a lot. Sharing with them the Multidimensional Perspective and offering specific multidimensional tools is immensely helpful. We're able to identify long standing patterns from childhood and who has come into your life to help you with those lessons. I can guide you through the Compassion Process and suggest books to read or refer you to other practitioners if necessary.

Shamanic Healing and Soul Retrieval Work blend right in as very strong Multi-dimensional tools. If you are suffering from issues or a condition that will not respond to traditional modalities, Soul Retrieval may be for you. I incorporate Crystal Triangle Lightbody Activation into all healing work I do. All other modalities are stronger and more effective with the Crystal Triangle.

Multidimensional Recommended Reading

Lightbody Activation Manual by Duane Henkle and Diana Stone. This is the gold standard for Lightbody Activation instructions, answering your questions, plus lots and lots of other ways you can do healing within the triangle.

Seven Multidimensional Keys of Compassion Booklets by Jelaila Starr. She has a wonderful website full of articles about ascension and multimentionality. I highly recommend her Emotional Clearing Workshops.

Radical Forgiveness by Colin Tipping. Colin offers a wonderful worksheet in his book and on the website for use when you're doing the Radical Forgiveness process. He offers wonderful weekend workshops for emotional clearing and forgivenss ceremonies. Check out his tools on his website.

Power vs. Force by David Hawkins. David has done the ultimate research on the frequencies of feelings and emotions. Using his methods you can calibrate the truth of any book you read before you read it calibrate if a politician is telling the truth on the TV. It's kind of scientific, but very spiritual. I felt the truth in my bones.

from our friend at www.krissshellman.com

The Biblical Merkabah

According to the verses in Ezekiel and its attendant commentaries, the analogy of the Merkaba image consists of a chariot made of many angels being driven by the "Likeness of a Man." Four angels form the basic structure of the chariot. These angels are called the "Chayot" חיות (lit. living creatures). The bodies of the "Chayot" are like that of a human being, but each of them has four faces, corresponding to the four directions the chariot can go (north, east south and west). The faces are that of a man, a lion, an ox (later changed to a child or cherub) and an eagle. Since there are four angels and each has four faces, there are a total of sixteen faces. Each Chayot angel also has four wings. Two of these wings spread across the length of the chariot and connected with the wings of the angel on the other side. This created a sort of 'box' of wings that formed the perimeter of the chariot. With the remaining two wings, each angel covered its own body. Below, but not attached to the feet of the "Chayot" angels are other angels that are shaped like wheels. These wheel angels, which are described as "a wheel inside of a wheel", are called "Ophannim" אופנים (lit. wheels, cycles or ways). These wheels are not directly under the chariot, but are nearby and along its perimeter. The angel with the face of the man is always on the east side and looks up at the "Likeness of a Man" that drives the chariot. The "Likeness of a Man" sits on a throne made of sapphire.

The Bible later makes mention of a third type of angel found in the Merkaba called "Seraphim" (lit. "burning") angels. These angels appear like flashes of fire continuously ascending and descending. These "Seraphim" angels powered the movement of the chariot. In the hierarchy of these angels, "Seraphim" are the highest, that is, closest to God, followed by the "Chayot", which are followed by the "Ophanim." The chariot is in a constant state of motion, and the energy behind this movement runs according to this hierarchy. The movement of the "Ofanim" is controlled by the "Chayot" while the movement of the "Chayot" is controlled by the "Seraphim". The movement of all the angels of the chariot are controlled by the "Likeness of a Man" on the Throne.

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Famous Crystal Skulls

2013 — Tue, 27 Nov 2007 09:25:52 GMT

Famous Crystal Skulls

The Mitchell-Hedges Crystal Skull
www.crystalinks.com/crystalskullmh.jpg

Anna Mitchell-Hedges, 2005
www.crystalinks.com/cryskullanna.jpg
The most widely celebrated and mysterious crystal skull is the Mitchell-Hedges Skull, for at least two reasons. First, it is very similar in form to an actual human skull, even featuring a fitted removable jawbone. Most known crystal skulls are of a more stylized structure, often with unrealistic features and teeth that are simply etched onto a single skull piece. Second, it is impossible to say how the Mitchell-Hedges skull was constructed. From a technical standpoint, it appears to be an impossible object which today's most talented sculptors and engineers would be unable to duplicate. The discovery of the Mitchell-Hedges crystal skull, sometimes referred to as the "Skull of Doom". is a controversial matter, and reads like a sci-fi action adventure film.

The skull was made from a single, unusually large block of clear quartz crystal, and measured 5 inches high, 7 inches long, and 5 inches wide, weighing 11 pounds, 7 ounces. It closely corresponds in size to a small human cranium, with near perfect detail, even to rendering the skull without the globular prominence or superciliary ridges, which are characteristics of a female.

As the story goes ... One day in 1927, English adventurer, traveler, and writer, F.A. Mitchell-Hedges, who had a talent for telling colorful stories, was clearing debris from atop a ruined temple at the ancient Mayan city of Lubaantum, located in British Honduras, now Belize. His seventeen-year old daughter Anna, who had accompanied him, suddenly saw something shimmering in the dust below. Anna found an exquisitely carved and polished skull made of rock crystal, with the jaw piece missing. Three months later, she located the jaw in an excavation about 25 feet from the first site.

In 1970, art conservator and restorer Frank Dorland was given permission by the Mitchell-Hedges estate to submit the quartz skull to tests conducted at the Hewlett-Packard Laboratories at Santa Clara, California.

From these tests, and from careful studies done by Dorland himself, the skull revealed a whole array of anomalies. When submersed in a benzyl alcohol bath, with a beam of light passing through, it was noted that both the skull and jaw piece had come from the same quartz block. What was astounding to the testers, however, is they found that the skull and jaw had been carved with total disregard to the natural crystal axis in the quartz.

In modern crystallography, the first procedure is always to determine the axis, to prevent fracturing and breakage during the subsequent shaping process. Yet, the skull's maker appears to have employed methods by which such concerns were not necessary.

The unknown artist also used no metal tools. Dorland was unable to find signs of any tell-tale scratch marks on the crystal, under high-powered microscopic analysis. Indeed, most metals would have been ineffectual, for the crystal has a specific gravity of 2.65, and a Mohs hardness factor of 7. In other words, even a modern penknife cannot make a mark on it.

From tiny patterns in the quartz near the carved surfaces, Dorland determined the skull was first meticulously chiseled into a rough form, probably using diamonds. The finer shaping, grinding and polishing, Dorland believes, was done by applying innumerable applications of solutions of water and silicon-crystal sand. The big problem is, if these were the processes used, then, as Dorland calculated, it would mean that a total of 300 man-years of continuous labor was spent in making the skull. We must accept this almost unimaginable feat, or admit to the use of some form of lost technology in the skull's creation the likes of which we have no equivalent today.

The enigma of the skull, however, does not end with just its making. The zygomatic arches (the bone arch extending along the sides and front of the cranium) are accurately separated from the skull piece, and act as light pipes, using principles similar to modern optics, to channel light from the base of the skull to the eye sockets.

The eye sockets in turn are miniature concave lenses that also transfer light from a source below, into the upper cranium. Finally, in the interior of the skull is a ribbon prism and tiny light tunnels, by which objects held beneath the skull are magnified and brightened.

Richard Garvin, who authored a book about the crystal skull, believes the skull was designed to be placed over an upward shining beam. The result, with the various light transfers and prismatic effects, would illuminate the entire skull and cause the sockets to become glowing eyes. Dorland performed experiments using this technique, and reported the skull 'lights up like it was on fire.'

Still another finding about the crystal skull reveals knowledge of weights and fulcrum points. The jaw piece fits precisely onto the skull by two polished sockets, which allow the jaw to move up and down. The skull itself can be balanced exactly where two tiny holes are drilled on each side of its base, which probably once held suspending supports. So perfect is the balance at these points that the slightest breeze causes the skull to nod back and forth, the jaw opening and closing as counter-weight. The visual effect is that of a living skull, talking and articulating.

The question, of course, is what purpose did this serve? Was the skull only designed by its artist as a clever toy or conversation piece, or, as Dorland believes, was the talking skull meant to be used as an oracular device, through strange phenomena associated with the crystal skull, that defy logical explanation.

Observers have reported that, for unknown reasons, the skull will change color. Sometimes the frontal cranium clouds up, looking like white cotton, while at other times it turns perfectly clear, as if the space within disappears into an empty void. Over a period from 5 to 6 minutes, a dark spot often begins forming on the right side and slowly blackens the entire skull, then recedes and disappears as mysteriously as it came.

Other observers have seen strange scenes reflected in the eye sockets, scenes of buildings and other objects, even though the skull is resting against a black background. Still others have heard ringing noises emanating from within, and at least on one occasion, a distinct glow from no known light source surrounded the skull like an aura for up to six minutes.

The sum total of the skull appears to take in all five physical senses of the brain. It changes Colour and light, it emits odors, it creates sound, it gives off sensations of heat and cold to those who touch it, even though the crystal has always remained at a physical temperature of 70 degrees F under all conditions, and has even produced sensations of thirst and sometimes of taste in a few cases.

Dorland is of the opinion that what is happening in all this phenomena is that the 'crystal stimulates an unknown part of the brain, opening a psychic door to the absolute.' He observes, 'crystals continuously put out electric-like radio waves. Since the brain does the same thing, they naturally interact.' He has found, too, that periodic happenings in the crystal skull are due to the positions of the sun, moon and planets in the sky.

Researcher Marianne Zezelic agrees that the skull was primarily used to stimulate and amplify the psychic abilities in its handlers. She observes. "Crystal serves as an accumulator of terrestrial magnetism. By gazing at the crystal, the eyes set up a harmonic relation stimulating the magnetism collected in that portion of the brain known as the cerebellum."

The cerebellum therefore becomes a reservoir of magnetism which influences the quality of the magnetic outflow through the eyes, thus setting up a continuous flow of magnetism between gazer and crystal. The amount of energy entering the brain eventually increases to such a proportion as to affect the poles of the brain, a region extending just above the eyes, contributing to psychic phenomena.'

Going a step further, Tom Bearden, an expert in the field of psychotronic studies, believes that, in the hands of a skilled mediator and mental focalize, the crystal skull also served not only as a vehicle to transform life field energy into electromagnetic energy and other physical effects, but also aided in healing, by the altering of its crystalline resonance to match that of a patient's mind and body frequencies, and affecting curing energies on the skull that would manifest in the patient's auric field. The skull should thus be used as an amplifier and a transmitter of psychic and earth energy forces.

When looking at the sum total of skill and knowledge incorporated in the Mitchell-Hedges skull, modern science is stumped as to how to explain it. Author Garvin summarized the findings in these words: 'It is virtually impossible today -- in the time when men have climbed mountains on the moon -- to duplicate this achievement.

The lenses, light pipes, and prisms alone display a technical competence that the human race only achieved recently. In fact, there is no one on the globe today who could attempt to duplicate the carving. It would not be a question of skill, patience and time. It would simply be impossible.

By Rob McConnell of the X-Zone Radio Show in Ontario, Canada

Believers in the power of the Mitchell-Hedges Crystal Skull, beware! Although it is a truly magnificent ancient artifact, who origin and age are unknown, the purpose of the artifact is still unknown, on many levels.

The crystal skull was NOT found in 1924, 1925, 1926, or 1927 by Anna Mitchell-Hedges, the adopted daughter of Mike Mitchell-Hedges. The skull was actually bought by Mitchell-Hedges in 1943 at an auction at Sotheby--s in London, England, from Sidney Burney. This was confirmed by notes found at the British Museum.

Other evidence further supports the discovery that the skull did not take place during a British Expedition. There are no records or photographs of the crystal skull. Sidney Burney and others who were on the expedition, claimed from day one, that Mitchell-Hedges did not find the skull in Lubaatun. Mitchell-Hedges himself, according to friends, family and associates, did not start talking about the skull until 1943 after purchasing the skull.

The first time that the Burney Skull was mentioned was in 1936. During the lectures, seminars, and speaking engagements that Mitchell-Hedges gave between from the time he returned from Lubaatun, until 1943, just prior to the sale of the Burney Skull, he never mentioned it.

I have discovered that the lost tribe of Indians that Mitchell-Hedges claimed to have discovered, were in fact discovered by Balboa. Mitchell-Hedges never attended Cambridge. Based on exhaustive research and interviews, Mitchell-Hedges has a very low credibility rating.

The many references that Mitchell-Hedges had made about the bad luck or the willing of people to death by the crystal skull have been found to be the figments of his own very colorful and vivid imagination. There is no scientific proof whatsoever that the crystal skull has been responsible for any harm falling on a person or any miraculous healing or other miracle.

I find it very strange and fascinating that while I have been studying the skulls which have been found throughout the world for a number of many years, I have answers for almost none of the important questions about the Mitchell-Hedges crystal skull. Although there are set or "stock" answers for many of the questions which are constantly being asked, I cannot honestly say that anyone knows with any degree of certainty who made the skull, how it was made, when it was made or what purpose it actually served.

The British Crystal Skull
www.crystalinks.com/skull2.jpg

It is currently residing in the British Museum of Man in London, England, and has been there since 1898. It is a one piece clear quartz full size quartz crystal skull. There is a pair of similar skulls known as the British Crystal Skull and the Paris Crystal Skull. Both are said to have been bought by mercenaries in Mexico in the 1890s, possibly at the same time. They are so similar in size and shape that some have guessed that one was copied to produce the other. In comparison to the Mitchell-Hedges skull, they are made of cloudier clear crystal and are not nearly as finely sculpted. The features are superficially etched and appear incomplete, without discretely formed jawbones. The British Crystal Skull is on display at London's Museum of Mankind, and the Trocadero Museum of Paris houses the Paris Crystal Skull.

The Paris Crystal Skull
www.crystalinks.com/crystalskullparis.jpg

It is currently residing in the Trocadero Museum in Paris, France. You may notice a slight indentation on the top, which is a hole that was cut into the skull purported to hold a cross.

Mayan Crystal Skull
www.crystalinks.com/crystalskullmayan.jpg

The Amethyst Skull
www.crystalinks.com/crystalskullame.jpg
Further examples of primitively sculpted skulls are a couple called the Mayan Crystal Skull and the Amethyst Skull. They were discovered in the early 1900s in Guatemala and Mexico, respectively, and were brought to the U.S. by a Mayan priest. The Amethyst Skull is made of purple quartz and the Mayan skull is clear, but the two are otherwise very alike. Like the Mitchell-Hedges skull, both of them were studied at Hewlett-Packard, and they too were found to be inexplicably cut against the axis of the crystal.

Texas Crystal Skull (Max)<br>A skull known as "Max," or the Texas Crystal Skull, is a single-piece, clear skull weighing 18 pounds. It reportedly originated in Guatemala, then passed from a Tibetan spiritualist to Joann Parks of Houston, Texas. The Parks family allows visitors to observe Max and they display the skull at various exhibitions across the U.S.

ET Skull
www.crystalinks.com/crystalskullet.jpg
"ET" is a smoky quartz skull found in the early 20th Century in Central America. It was given its nickname because its pointed cranium and exaggerated overbite make it look like the skull of an alien being. ET is part of the private collection of Joke VanDietan, who tours with her skulls to share the healing powers she believes they possess. I did scrying with ET at the Star Knowledge Conference, June 1996.

Rose Quartz Crystal Skull
www.crystalinks.com/crystalskullrose.jpg
The only known crystal skull that comes close to resembling the Mitchell-Hedges skull is one called the Rose Quartz Crystal Skull, which was reported near the border of Honduras and Guatemala. It is not clear in color and is slightly larger than the Mitchell-Hedges, but boasts a comparable level of craftsmanship, including a removable mandible.

Origin Theories: Celestial Gifts or Skullduggery?
Regardless of any unearthly properties the crystal skulls may or may not possess, the question remains: where did they come from? There are countless hypotheses that they are the legacy of some higher intelligence. Many believe they were created by extraterrestrials or beings in Atlantis or Lemuria. One elaborate theory maintains that the skulls were left behind by a sophisticated Inner Earth society which lives at the hollow center of our planet, and there are thirteen "master skulls" which contain the history of these people.

The most obvious answer to the mystery is that native artisans in Latin America or elsewhere crafted the skulls themselves. The Mayans are most often associated with them, although some doubt that they could have made the skulls, and not simply because of the technical conundrum the job poses. One theory holds the Aztecs as a more likely candidate to have created them. Skull imagery figures prominently in Aztec art and religious symbols, and not in that of the Mayans. The Aztecs were also more highly skilled in sculpting with crystal. It could be that the skulls found in Mayan ruins are actually displaced Aztec relics... or, as some suspect, this incongruity may indicate that some accounts of the skulls' origins are phony.

Many skeptics feel that the crystal skulls are probably of a much more recent vintage than their accompanying stories suggest. This, they believe, is the best way to explain their existence, since no one could have created them without technologies available only within the past century. Since carbon-dating only works on organic substances, it is impossible to determine just how old a crystal skull is. But one recent study found reasonable signs of some skulls' relative youth.

A May broadcast of the BBC documentary series "Everyman" reported on studies of a number of crystal skulls and other artifacts of supposedly ancient origin conducted at the British Museum. Using electron microscopes, the researchers found that two of the skulls possessed straight, perfectly-spaced surface markings, indicating the use of a modern polishing wheel. Genuine ancient objects would show haphazard tiny scratches from the hand-polishing process. The report speculated that these skulls were actually made in Germany within the past 150 years.

Even the regal Mitchell-Hedges skull is not without scandalous accusations of fraud. Some believe that F.A. Mitchell-Hedges had the piece commissioned by a sculptor, and planted it in the Lubaantum ruins for his daughter to find as a spectacular birthday present.

The validity of this charge is uncertain, but even if the Mitchell-Hedges skull is of modern origin, its structure is no less extraordinary. In all likelihood, every crystal skull in the world was fashioned by plain old human beings of some sort, and regardless of whether the work was carried out five years ago or five hundred years ago, we still don't have any idea how they did it.

View the TV show, Stargate SG1 they have an episode called Crystal Skull.

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Electronic Musicians

2013 — Wed, 21 Nov 2007 19:15:36 GMT

Most people think that quartz crystals are only found in alternative book stores and new age circles... In fact, the humble quartz crystal is a major component in today's technological revolution. The conversion of quartz crystals into silicon chips has transformed the world, making possible the digital age. It has given us computers, mobile phones and communication breakthroughs such as the Internet and, of course, techno music. The central core of every techno set-up is the computer. The silicon chips of a computer allow vast pieces of information to be brought together in a precisely organized way. What we effectively create when we hook up all the instruments ina techno studio is a crystal matrix with the computer acting as the mothership crystal and communicating to the other crystal components within the system.

Some people claim that making music with computers is not an organic process and too linear. We agree that techno music is precise with a repetitive bass drum and loops, but its design follows the precise structure of crystals, which are completely natural and abundant in nature. Like scientists who have discovered how to create crystals in liquid form, musicians are now creating crystals in music form as techno.

Nobel prize-winning scientist Marcel Vogel was one of the early pioneers of silicon chip technology. While working as a research scientist for IBM he made a discovery that shook to the core the belief systems of his scientific peers. He discovered that crystals not only have the ability to br programmed as silicon chips in a computer but also can be programmed with thought. His explanation was simple. A person sitting at a computer relays his thoughts via a keyboard which are stored in the computer's silicon chips via the medium of electricity. Vogel discovered that crystals can also be programmed without the need for electircity, by using just thoughts.

Like electircity, thought is a form of energy, which is given direction by our intention. Vogel found that crystals affect the molecular structure of water and, since our bodies are 70 per cent water, they have a profound effect on our metabolic processes and our emotional well being. Thus the new age concept of wearing and programming a crystal actually works. Vogel went on to design a multitude of experiments to validate his quantum theories but of course, like all ground-breaking alternative scientists, he was ostracized by the mainstream scientific community.

Belief in crystals is not only a new age phenomenon; ancient culturse and Shamanic socieities have always used the vibrational powers of crystals and gemstones. Australian Aborigines of the central desert believe that inside Uluhru (Ayers Rock) is a giant blue crystal that absorbs cosmic energy, which is then channelled around the planet via the crystal grid matrix of the earth: an ancient Internet. Some people believe that the ancient Atlanteans programmed the crystal deposites of the Earth with special encodements that would only be discovered by future generations. These codes would unlock certain latent energies within our DNAmatrix causing a quantum leap in human evolution. Could it be that today's techno music made with crystal technology carries these codes within its structure, affecting us as we trance on the dancefloor? Get ready to take off !!

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Power Seekers

2013 — Wed, 21 Nov 2007 19:05:04 GMT

Spirits are beings of pure light - as has always been claimed. Biophotons emitted by all the cells of the world amplified, and transmitted.

Bear witness to this perfection and rejoice it with a clear conscience, for it was not I who invented it or even discovered it. The laws of mathematics are not merely human inventions or creations. Long before there were men on this globe, all the crystals grew within the earth's crust. Then came a day when, for the very first time, a human being perceived one of these glittering fragments of regularity; or maybe he struck against it with his stone ax; it broke away and fell at his feet; then he picked it up and gazed at it lying there in his open hand. And he marveled. They are in no sense a discovery of the human mind; they simply are; they exist quite independently of us. The most that any man can do is to become aware, in a moment of clarity, that they are there, and take cognizance of them.

We are the spheres, we reflect each other, as well as the writing table, the drawing of them, and the artist drawing it. The endless connections which all things have to each other is only hinted at here, yet the hint is enough. The Buddhist allegory of "Indra's Net" tells of an endless net of threads throughout the universe, the horizontal threads running through space, the vertical ones through time. At every crossing of threads is an individual, and every individual is a crystal bead. The great light of "Absolute Being" illuminates and penetrates every crystal bead; moreover, every crystal bead reflects not only the light from every other crystal in the net - but also every reflection of every reflection throughout the universe.

All the present crystal technology has a high up base and have yet a lot of information for the futures sons of the Earth. Peace, love, wild-life conservation and high technology to link us with the Cosmos. Through the power of sound the information kept in the skulls can be decoded to reveal hidden knowledge and give access to the world.

Love, Unite, Transmit.

CGN

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13:20 the natural time

2013 — Wed, 21 Nov 2007 18:41:24 GMT

From: www.13moon.com/not_the_ma...alendar.htm

The Traditional Mayan Calendar Chol'qui as taught by the Mayan Elders of Guatemala is distinct from the Dreamspell Calendar system featured on this website

DISTINGUISHING DREAMSPELL
FROM THE TRADITIONAL MAYAN CALENDAR
Clarifying Confusion on the Road to 2012

For the sake of catalyzing a new wave of understanding and education regarding the Dreamspell calendar, it is important to clarify what it is, and what it is not.

To begin, both the Traditional Mayan Calendar (known as Cholq'ij) and the Dreamspell offer a 260-day calendar. This count of 260 energies is generated from the 13 numbers in concert with the 20 glyphs (13 X 20 = 260), originated through the Olmec/Maya of ancient Mesoamerica. Undoubtedly, we recognize the "Classic Maya" and their astounding pyramid complexes as embodying a profound mastery of the science of Time which surpasses all other civilizations.

In essence, the knowlege of the sacred ratio 13:20 which governs all of Creation is ancient knowledge held by the Maya and their magnificent culture which survives to this day. Dr. Jose Arguelles and Lloydine Arguelles (co-authors of the Dreamspell) entered into this essential cosmic knowledge and discovered a modern application of the 13:20, imparting a distinct form and function from the Cholq'ij, as a remedy for the westernized mind that has been unconsciously adhering to a paradigm where time is erroneously understood to = money; one which sets us apart from the natural order of the Biosphere.

This new revelation of the powers of the 13:20 matrix came to be called the Law of Time, and the subsequent Dreamspell calendar system they presented to us is specifically for those of us living in a modern world that is, by its very design, founded on an artificial timing frequency. The purpose of this system is to assist us in discovering our harmonious potential to live in accord with the natural timing frequency of the Universe in which Time is understood as the Universal Frequency of Synchronization.

With great respect and gratitude to the Maya for bestowing this jewel - this master key of the knowledge of 13:20, we would like to publicly clarify that the form of the 260-unit Harmonic Module (Tzolkin) as presented in the Dreamspell/Wizard's count of this 13-moon Calendar is indeed a modern application of ancient science, and is DISTINCT from the form of the 260-day count that the living Maya in Guatemala and surrounding areas utilize.

In fact, the 13-Moon Dreamspell calendar should not be understood to be "The Mayan Calendar." Not only are there actually 20 calendars which make up the Mayan Calendar System, but moreso because the 260-day calendar as the Maya use it today follows a distinct daycount as a sacred heritage of their culture - one that is keeping the Long Count of days; the count of "13 Baktuns" (3113 BC-2012 AD) and it would be misrepresenting the Maya culture to not make a clear distinction.

The Mayan Long count cycle is what Dr. Arguelles refers to as the Cycle of History. In fact, it is precisely this 5,125 year cycle, as it is currently closing out its final few years, which is the unifying point of focus for followers of both the Cholqu'ij and the Dreamspell. All of humanity is collectively journeying through this prophetic closing - all of us being prepared for the transition point of 2012. This Living Prophecy is described as the shifting of World Ages, as we are poised on the brink of entering a New World, post 2013.

In terms of the specific Mayan connection to the Dreamspell, beyond the foundation of the 13:20 code, the Dreamspell also embodies a correlation to the Yucatec Mayan "Chilam Balam". This is found in aspects such as the fixed July 26th new year date, the specific year-bearers, the consequent 52-year pattern of Earth families, and even the omitting of the the leap-year day Feb 29th is based in the resurrection of this prophetic tradition. Because there was a long break in this Mayan tradition, this Wizard's Count of the Dreamspell is known as "reformulated Chilam Balam," for what was known in ancient times as "Jaguar Priests" is known in today's world as "Earth Wizards!"

As Dr. Arguelles writes: "The Dreamspell Count based on the Gregorian calendar synchronization date of July 26, is a precise expression of the prophetic tradition of the Chilam Balam - the Jaguar priests of Lowland Yucatec Maya. The Quiche or Mayan long count represents the chronological order of time...as such, it is a linear [expression] of the Tzolkin...The purpose of the Chilam Balam Count was to establish a basis for understanding that there exists a synchronic order of time, completely apart from what is usually referred to as the Long Count, the linear count of days (BC 3113 - AD 2012). The synchronic order is complementary to this linear interpretation, but introduces the human to the radial order of the higher dimensions...The two counts actually constitute a prophectic alliance...There is no conflict...The Law of Time embraces both systems in the higher fourth-dimensional order of truth."

It is of great importance that we distinguish between "The Mayan Calendar" and "The 13-Moon Dreamspell Calendar," that there is no cultural misrepresentation, and that we are simultaneously empowered with knowing the true function of the Dreamspell!

In that light,
let us briefly summarize
the distinct powers of the Dreamspell Science:

"Dreamspell, Journey of Timeship Earth 2013"

is a door to the infinite;

a tool for galactic synchronization;

the primary tool kit of fourth dimensional time;

a harmonic set of codes which not only describe Earth as a living whole-system, but which also offers profound principles for social reorganization;

a storehouse of the interstellar, interplanetary cosmological history of the Earth;

the complete codes and cosmology for establishing "galactic culture;"

an antidote to the memory virus known as "cosmic amnesia;"

all in all, a multi-dimensional tool for the human being in the modern world
to reconnect to nature and the sacred mathematical synchronic order of the Universe.

As Dr. Jose Arguelles (co-author of the Dreamspell) stated:
"I understood the word 'Dreamspell' to mean any consensus reality...'Spell in english has two different meanings, which are kind of connected: a spell can be an enchantment; and a spell also refers to a period of time - you are enchanted for a period of time.

"We are dreaming the same dream together;
we are dreaming a common dream, and that is why we say,
'we want to dream together the highest dream'...

"With the Dreamspell we are establishing the new cosmology of the mythic order... We've spoken about how the mathematics of the Law of Time establishes the cosmology of a new scientific order, but we have science and myth. We have the scientific sensibility and the mythic sensibility which are unified in ourselves in the two sides of our brain that cross over to govern the two sides of our body in a bilateral symmetry of the Loom of the 13 Moons in the Tzolkin.

"Literally by following the 13 Moon Calendar and the Dreamspell Count, we are beginning to overcome the Dreamspell of History...
We are in the process of overcoming the memory virus...

"Through the Dreamspell we are talking about the responsibility
of the Earth Wizards to re-enchant the world...When we talk about natural time we are talking about restoring ourselves in the sacred order of the universe.

The universe never stopped being sacred.
It was us who exercised our will,
created this great, great, great illusory bubble that we feel is so real -
it is us who have alientated ourselves from the sacred.
What is natural is sacred...

"If there were no deviation from Natural Time,
we wouldn't need a Dreamspell kit
- but we have deviated, and the Law of Time says
we need to relearn what it is to be Art.

So, the Dreamspell is the code or set of codes
that returns us to the truth that Time is Art.
And since we are time, we are art!"

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13:20 magnetic reversal 2013

2013 — Wed, 21 Nov 2007 18:37:27 GMT

0 lil k'ay pax, gelenah, gelona, pixan, cannac, muluc, yaxkin, zuvuya, tucu't, than, yacunah, k'ochil, can, tumen, wuinic, panche be, uahomche, lol al lil, nic caan, caan nic, teuz, teol, luk' umen tun ben can - zuvuya - Hunab K'u - butz hah, kuxan suum - gelmen - gelman, hun men, k'ultanlilni, tumen muluc In Lak'ech !

o vibration song, the power of music, here I am, here you are, sprit, what manifests in form, principle that there is no form without spirit and vice versa, the reunion of everything, the center, place of renewal, sourcless source, the grammer of harmony, the circuit by which all things return to themselves, planetary point of entry, to think, to venerate, drop of water, power of the word, love and suffering, the inescapable poignancy of existence, what we are born with, what we die with, karmic residue, positive energy and electromagnetic force, Serpent; what we are born with, what we die with, karmic residue, to be human, seeking the root of truth, the tree which awakens in us, we awaken in the tree, flower child vibration, heaven immensity, tree, devin breath, God, spirit of the tree, those absorbed by the serpent of the sacred knowledge - the grammer of harmony, the circuit by which all things return to themselves, planetary point of entry - One Giver of Movement and Measure, galatic center - those filled with the spirit of the essence, Buddah, road to the sky, leading to the umbilical cord of the universe, creative essence, egg creator, creative vibration - past essence, egg that passed, past vibration, one, to believe, to create, kundalini, cause and effect, principle of cosmic relatedness, the reunion of everything, I am you and You are Me. I am another you.

from our sister
۞ Karina ۞ P ۞
http://people.tribe.net/karina

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