Hi, Dance sisters,
On another tribe there was a discussion about the "Egyptian knee shimmy". I have been taught by some very well known people and the knee pumping (without hyperextending the knees back) is the correct way to do this.
Please help me with this. I know there are 2 schools of thought out there: do it or don't do it.
Please share with me your thoughts.
Thanks!
On another tribe there was a discussion about the "Egyptian knee shimmy". I have been taught by some very well known people and the knee pumping (without hyperextending the knees back) is the correct way to do this.
Please help me with this. I know there are 2 schools of thought out there: do it or don't do it.
Please share with me your thoughts.
Thanks!
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Re: Egyptian shimmy
Thu, April 10, 2008 - 4:50 AMI am not an expert but interested in the subject. I am dancing since two and a half years in my spare time and the shimmy is one of the most mysterious things. The stronger I 'm getting, the faster I can shimmy, the more I can go for knee-involvement. I think for absolute beginners, to try to speed up hip-moves by pumping the knees is really not good for the knees, maybe even bad for the lower back and I would not do it.
I never lock my knees, my right knee is sensitive, but I have strong muscles around the hips now, that control and hold the hip receiving the push from below. If I push from knee and thigh the hip doesn't "fly" to the side in a way that would overstretch the inner side of the knee of the pumping leg.
If I go for knee shimmy or hip/thigh/glute-driven shimmy depends in what position I do it, what is the music, what moves come before and after...often there is no option I'd say. A lot of layering wouldn't work with a knee shimmy (not for me, at least). I wonder what the pro's take on this.
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Re: Egyptian shimmy
Thu, April 10, 2008 - 7:15 AMI think that "thinking knees" is what's causing recent confusion on how to do shimmies - the knees do not actually "drive" the movement, rather they move because of what's happening above them. The upper leg, hip, & torso muscles are what's driving the movement; thinking about knees is how beginners SEE the movement, before the get the hang of consciously controling the muscles.
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Re: Egyptian shimmy
Thu, April 10, 2008 - 7:51 AMWow, see this is why I don't teach. My first thought was, "Of course it's all in the knees...oh wait...or is it?" I suffer from that awful affliction where if I think about a move too much, I forget how to do them. My body just sort of "knows" how to do them and I do them. But if I try and break things down to explain, I'm lost.
That being said, Anthea seems to have described it the best. Way better than I could. I'll just point to her post and nod vigorously.
Hmm…I meant for this comment to be much more helpful than it turned out to be. Sorry! -
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Re: Egyptian shimmy and history
Thu, April 10, 2008 - 8:14 AMAnthea is absolutely right for traditional up/down hip shimmies done by Egyptian oriental dancers through time. The knees are "along for the ride" and not initiating.
Then along came the folklore movement with a self described agenda of cleaning up the dance. These folks have, either through their "clean up" efforts or being unable to do the other intricate shimmies (there are a variety in fact- and they are much harder to do and much harder to teach) been spreading the "Egyptian knee shimmy" as THE shimmy.
Oriental dancers such as Dina and Randa are teaching other shimmies and specifically say in their workshops that it's NOT knee shimmies. Fifi Abdo last year kept saying "not the leg, not the leg" when talking about shimmies and specifically said it was the hips/waist. Who am *I* to argue with names like Fifi, Dina and Randa.
But Egyptians with a folklore background or people who take primarily from Egyptians with a folklore background (or people who for political or financial reasons have to agree with them) WILL teach the knee shimmy because that is what they learn. If they can't do others, then it will be all they teach. They are quoted as saying "this is more modern", those are more "old fashioned".
Having an agenda of "cleaning up" the dance and teaching to huge rooms of people (much more difficult to get details across) necessitates doing knee initiated shimmies. Definitely lends to the confusion people feel, unfortunately.
Please understand- I LOVE folkloric dance and I perform folklore with Egyptians. But it's a different dance and it's sad to me when one is trying to change the other and using that agenda to misrepresent. -
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Re: Egyptian shimmy and history
Fri, April 11, 2008 - 8:14 AMSamira, very interesting!
For me, the shimmy doesn't work in many different ways, but there is a possibility of putting more effort in the glutes or more effort in the thighs. As I don't lock the knees, my "knee shimmy" wouldn't be a proper one anyhow. But I thought the more thigh-driven shimmying would be pointing towards the "knee shimmy".
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Re: Egyptian shimmy
Sat, April 12, 2008 - 2:28 PMThink like this... If the movement came from the knees.. how could you walk and shimmy?
Stand with your knees slightly bent and your feet together with the pelvis tucked underneath you comfortably. The movement comes from the thighs and the weight is placed evenly on both feet. Simply contracting the muscle and releasing in quiclk bursts creates the shimmy. If you change the muscle.. like move to the glute.. you get a different shimmy. contract the obliques.. still a different shimmy.
The egyptian is focused completly in the thigh/hamstring muscle's.. just makes it look like the knees are driving it.
A friend has this online..www.youtube.com/watch & www.youtube.com/watch -
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Re: Egyptian shimmy
Sun, April 13, 2008 - 4:51 AMAh, I am glad to ditch that knee shimmy forever! I always thought someday I had to do it even I did never want to do that knee locking. Some other advanced students already told me: your shimmy ought to be bigger, you have to do a knee shimmy...lately I felt I couldn't contradict them anymore, that they had to be right. -
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Re: Egyptian shimmy
Sun, April 13, 2008 - 11:41 AManother key to "bigger" bend the knees and get up on the balls of you feet.. gives you room for down and up [I struggle with this too... adrenaline takes over and I forget to give the space the moevment needs. -
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Re: Egyptian shimmy
Mon, April 14, 2008 - 12:09 PM...and shimmies are not just hips alternating up and down. There are twisting shimmies, front back shimmies (which have to be taken great care with or they look horrible), up and down shimmies (also called the trolly), friezes and more.
I remember the horror I felt when I saw a knee driven shimmy done really big for the first time. The most prominent thing I noticed was the knees driving back and forth. The hips were fairly stable, they didn't even move all that much - but there was plenty of jiggle in the dancers jowls and curls. This is a slender dancer, so the "jowl" thing is not a commentary on her weight in the least, just observation on where the jiggle was produced from her enthusiastic knee pumping. It was very different from what I consider a hip shimmy. I think a hip shimmy should accentuate the hips and have most of the movement in the hips.
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Re: Egyptian shimmy
Tue, April 15, 2008 - 11:02 AMWhen i'm with certain teachers that demand it or choreograph a dance with it, i do it--BUT i do it in way that is SAFE for my body...still driving the shimmy as much as possible from the hips (glutes and obliques/or no obliques) and adding the knees as an afterthought...it seems to work as i don't get corrected. I had to spend months getting to know my body though before i really felt i was using the correct muscles to execute this safely. Besides that i don't use it, and in my classes i give a demonstration but immediately explain how relatively new this shimmy is all the issues the movement brings with it, and focus on the glute/oblique driven shimmy.
I am also a student of Suhaila's, in her format it all comes from the glutes which also frees up your body to layer and layer as you want. The folkloric explanation is an interesting one and i think it makes sense. Given that i'm all for learning all styles within belly dance, i add this move to my toolbox which i use or not use as i see fit.
:)
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Re: Egyptian shimmy
Tue, April 15, 2008 - 12:29 PMBefore the knee shimmy, Egyptian shimmies of numerous varieties also allowed for lots of layering and traveling. -
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Re: Egyptian shimmy
Tue, April 15, 2008 - 12:49 PMVery true!!!
And i continue to learn those shimmies and layering techniques, as well as Suhaila's format (and she strongly encourages her students to learn it all)!!!!
I'm all for becoming the strongest dancer technically and stylistically that i can!!!
:) -
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Re: Egyptian shimmy
Thu, April 17, 2008 - 10:07 PMThe "knee" shimmy is SO unattractive. -
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Re: Egyptian shimmy
Sat, April 19, 2008 - 5:52 AMI think the various shimmies all have their usefullness- the 'knee shimmy' (mostly thigh/hamstring in my vocab) is helpful when doing upper body undulations and articulations- it is powered by the leg so the abdominal/core area is not all tied up. I know I am doing the knee shimmy if I can bend over at the waist and keep it up. The basic hip shimmy (mostly obliques in my vocab) is what is most used for layering with traveling steps, hip circles, just walking, etc. but then you have so many others- glute shimmies, hagalla step, twisting shimmies, nadia hamdi's bouncing, etc. etc.- I love the variety- kind of like my little collection bag- & I think it shows a dancer's versatility. It also helps you shimmy for a long, long time if you can shift to a different muscle set when one set gets tired ;) -
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Re: Egyptian shimmy
Sat, April 19, 2008 - 5:53 AMoh, and while we're at it, I can tell I'm doing a hip/oblique shimmy if I can lie on my back & do it- nothing to push off of, so it can't be leg driven! -
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Re: Egyptian shimmy
Mon, April 21, 2008 - 11:20 AMThis dialogue has been very helpful and informative to a 1 yr student. I am STILL struggling with shimmies; I know there are many types, and I am fairly certain I can properly (although SLOWLY) execute several of them, including a knee-driven, a hip-driven, and a glute-driven. Here are my questions for all you shimmy queens: is a vibrational shimmy yet a different one--or is it a hip shimmy? Second question: how did you find it most effective to practice the different shimmies? I seem to be unable to take any of them past a certain speed, no matter how regularly I practice. Detailed descriptions and anatomical references appreciated. . .Thanks!!! -
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Re: Egyptian shimmy
Tue, April 22, 2008 - 12:34 PMMy "Ah-ha! moment" for Egyptian Shimmies was when I read somewhere, to focus the energy on the release of the thighs not so much as pushing your thigh down. I believe it's Hadia who teaches a technique that is quite popular.
My current instructor taught us to drill shimmies and other movements (and for me it's helped tons) by slooooowing them down. Take a full 8 counts per side 8x per hip, then 4 counts 8x, then 2 counts...etc. until you get to full speed and can still keep the count. My biggest hangup trying to count in my head so I don't get tongue tied.
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Re: Egyptian shimmy
Wed, April 23, 2008 - 3:13 PMThere are a couple ways to pull off a vibration- try starting a knee bounce (both together, not alternating) & then squeeze the inner thigh to make it tiny, fast & tight. Or, start with a hip shimmy, squeeze the glutes, straighten the legs & lean slightly forward.
just build up slowly, do a little each day. when your muscles 'lock up' & refuse to shimmy, stop & shake it out before you start again.
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Re: Egyptian shimmy
Tue, April 22, 2008 - 7:28 AMThis post was incredibly helpful to me. The shimmy is one of my weakest movements...my one side gets "lazy" as I dance and I usually have to slow it down and then pick my speed back up to get back to where I should be.
I learned from day 1 never to drive this movement with my knees or I would shorten my dance career for sure. -
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Re: Egyptian shimmy
Tue, April 22, 2008 - 11:20 AMIt really starts to get confusing when different parts of the country/world have different names for the same movement. I've never initiated a shimmy from my knees. Like Anthea said the knee comes along for the ride because it's all one piece. Most of my standing shimmies come from the hamstring/Quad/and glutes, especially the one back leg shimmy. Right Nuria? Have you been practicing that one???
When I'm walking and traveling, I seem to use the hips and obliques more, although I do think my thighs are still working.
Now a vibration? I think that is what I call a shiver. A shiver is a more tightly controlled shimmy that I would use when dancing to the kanoon or oud. That is very much thigh (NOT KNEE) driven. It also involves pressing the feet into the floor for added control. I explain it like this: Pretend your 5 years old, it's freezing cold outside, and you've got to pee. You know how those muscles start shaking? Very similar just more controlled and subtle. Your are releasing and contracting the muscle.
And like Samira said, shimmies or shivers can go in any direction. Up, Down, front, back, around in circles, side to side. -
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Re: Egyptian shimmy
Wed, April 23, 2008 - 7:02 AMNorma,
LOVE the 5 yea old analogy! Can I use it?
~Z.
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Re: Egyptian shimmy
Wed, April 23, 2008 - 9:57 AMHi Norma, I practice shimmy, yes, and my shimmy always comes either from glutes/thighs or rather thighs with relaxed glutes. I believed my thigh driven shimmy to be a "knee shimmy without locking the knees" but on the weekend I saw a performance with a knee shimmy - one where you really see the knees move more than the hips, so, not guilty of that one. My shimmy is not big enough but I can do it on any leg, even if I stood on my hands, haha. -
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Re: Egyptian shimmy
Wed, April 23, 2008 - 3:21 PM"but on the weekend I saw a performance with a knee shimmy - one where you really see the knees move more than the hips"
hmm- I really havent seen that, & I'm really having a hard time picturing it!
my 'knee shimmy' has a mental focus on the quads (tho of course there are others parts involved!) but since the quads are attached to the knee (indeed, foundational in movement of the knee!) I don't know what else to call this shimmy! the various thigh muscles are used in so many movements I don't want to get into thigh shimmy #1, #2, etc.
but yet another reason to learn from someone in person! -
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Re: Egyptian shimmy
Thu, April 24, 2008 - 1:20 AMHi Lara, the woman was going for a big shimmy. She was pushing the knees forward very strongly. She looked like she was running on one spot.
Maybe it is gradual if you say it is a knee shimmy or a quad-driven shimmy. Of course the quads work it, but there can be a focus: "knee forward and back as much as I can" which makes your body shake like hell and then the outcome may be like I described above. I tried to do that before when I started to learn but it felt kind of messy and made my knees hurt so I stopped it. And I guess that the thigh-shimmy you are talking about may be the same I meant, with relaxed glutes and on both feet, very comfortable and you can do chest undulations and so with it. At the beginning of this thread I still thought this WAS my small version of a knee shimmy. -
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Re: Egyptian shimmy
Thu, April 24, 2008 - 9:10 AM"with relaxed glutes and on both feet, very comfortable and you can do chest undulations and so with it."
Yes! and that is the main purpose for which I use this shimmy, it is easier to do upper body work since it does not engage the core muscles as much.
Good on you for stopping when the other version was uncomfortable- I have run across so many who just keep at it anyway. Kind of scary! -
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Re: Egyptian shimmy
Fri, May 23, 2008 - 7:48 AMI'm going to add on to this thread- I took a workshop over the weekend and it was WONDERFUL....AND was different from what people have been saying about folkloric teachers saying "all knee shimmies all the time".
Raqia Hassan taught a lovely Intro piece with graceful Oriental parts, an entrancing ney taqsim and a couple lively beladi sections. She specifically said the closer leg, slightly straighter leg movements (and shimmies) were to go along with the Oriental parts of the music (and this style developed as Oriental with it's more elegant costuming and western influences grew out of the Ghawazee style). She also specifically said and demonstrated what she called "Ghawazee style" (knees bent, stance slightly wider, more earthy)- stating that it was completely appropriate to use in beladi, saidi and fellahi sections of the music.
I was SO glad to take this workshop and learn directly what is being said. It was a wonderful learning experience. :) -
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Re: Egyptian shimmy
Fri, May 23, 2008 - 8:30 AMoh, lucky you! totally drooling...
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Re: Egyptian shimmy
Thu, June 19, 2008 - 9:36 AMHelloooo, I'm trying to be a bit more active on this tribe now that work isn't crazy busy. So here goes, shimmiiiies. Humor me on this and it may help you out in your quest.
Let's say joints and bones can only postion your body - and muscles generate the movements. In that case, you need to do the following in order to get a shimmy going:
1. hold your core!! (otherwise you have no balance or control)
2. bend your knees (otherwise you have no room for movement)
3. generate the shimmy from the hamstring (its a big muscle with lots of ompfh to give)
4. dont tense up - keep your inner thighs relaxed
So, going by this concept you have 2 types of shimmies that can be done;
1. folklore - axis of weight balance is in the arch of the foot (even on both ball and heel), knees are bent ahead, hip is tucked behind (tuck is from the abs - think of tensing the horizontal muscles between the hip bones), chest is centered over weight point in the arch of the foot.
The movement is pumped from the upper hamstring where the glute and the hamstring incize with each other. It is NOT a full contraction - but rather a continous pumping motion. I compare it to the air climber or air stepper www.shopatshowcaseus.com/aircl....html. The amount of air is consistent so when one hip goes up or down, the equal amount of air is pumped in or out of the opposite hip. The upper hamstring is the generating muscle.
2. Raqs Sharki - axis is the same as above but knees are only slightly bent ahead, hip is just tucked from the abs and just slightly behind the chest. This shimmy utilizes the lower hamstring just above the knee bands. It LOOKS like you're pumping from the knee, but you are infact using the hamstring.
Just to show you a sample www.youtube.com/watch
the shimmy used in this clip is #2 mostly.
and here a sample of #1 www.youtube.com/watch
you can see the hamstring working above my knee because of the thightly fitted pants *grin*