Solo fire performances

topic posted Wed, April 1, 2009 - 10:10 PM by  Scott
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Hey all,

New to the community. Does anyone have any ideas for solo performances? I've left my troupe because of differences between members. Since then I've gotten a bunch of offers for shows, but I don't know how to put on a one man fire show. I'd like to be able to, but how do you create a flow between sets? I spin staff and poi and some rope dart too (though I don't have one), I juggle (got the Babache and the fyreflis too) and even contact juggle a bit too. Anyone have any ideas?
posted by:
Scott
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  • Re: Solo fire performances

    Sun, April 5, 2009 - 7:23 PM
    Great music during transitions makes a big difference- I've been doing solo performances (not fire but almost worse) for kids- they loose interest very easily. The music during transition can keep your flow and "story" going.
  • Re: Solo fire performances

    Wed, June 10, 2009 - 10:13 AM
    1. talk to the audience. Face to face, no spinning. Your words connect your acts and convey your personality.
    2. Go street perform. Even if there's not a good pitch near you. Even if you can't use fire. You will learn SO MUCH. If you can entertain people who want to pass you by, and if you can do it without fire, you'll never have a hard time with a fire show again. Just don't take yourself to seriously on the street, because many many people will just walk by. Keep an open mind and learn as much as you can.
  • Re: Solo fire performances

    Wed, June 10, 2009 - 11:05 AM
    I've seen a one-woman fire show where I was impressed by how well it flowed, considering the constraints. The performer in question is pretty exceptional, with a lot of skill in a lot of tools. The two logistical aspects of her show that were notable were:

    1. She had all her tools fueled and laid out very precisely before she got started.
    2. She had a spotter who helped move the show along--he wasn't just standing there holding a towel, he was taking her used tools, etc.

    There was very little transition time between each piece. My memory is a little fuzzy on this point, but I think she alternated high-energy and low-energy, eg poi, then fire eating, then staff, then palm candles, then fire breathing. It seemed clear that the whole show was a well-practiced routine.
    • Re: Solo fire performances

      Thu, June 18, 2009 - 12:10 PM
      Having a great safety is key and an assistant. If your area is clear enough presoak all of tools in a mix of white gas and lamp oil. Make sure your safety can keep a good line on them though. Or if you have a great assistant they can lay one out for you and you can light it and have them take it the used one and put it out with the safety. You can even have your assistant use tongs of some type to pick up the flaming tools and wear fire gloves and this increases the amount of drama and adds to the element of danger and there is no break in your act. Careful, careful careful...as I am sure you know, fire spinning is tiring and taxing so make your shows short and sweet. Do your best tricks and put in breaks in the music that will allow you to slow things down. Stop often and smile at the audience and let them see those flames when they are not spinning and breathe while you do so esp. if it is hot out. Never try to do a show without a trained safety, there are too many unforseen what ifs.

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