dancing with totem animals

topic posted Wed, August 20, 2008 - 9:45 AM by  Ash
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Has anyone had the experience while dancing of being surrounded with their totem animal and then becoming that animal?
Last night in Dance Meditation I felt myself "becoming" my dragon. I feel so changed this morning!
posted by:
Ash
offline Ash
Baton Rouge
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  • Re: dancing with totem animals

    Wed, August 20, 2008 - 10:36 AM
    ooooh, I will have to try that. I have been so bogged down with technique lately, that I have not ventured into the spirit realm while dancing! I wonder what the bird guides who've been visiting lately might tell me in a dance! **waves of inspiration**
  • Re: dancing with totem animals

    Wed, August 20, 2008 - 6:31 PM
    I dance with totems all the time in my shamanic journies. I dance around and over them, rubbing my arms all over them. Alligator, Jaguar, Liger. It is very sensual and very powerful.
  • Re: dancing with totem animals

    Sun, August 24, 2008 - 9:10 AM
    Yes....this is something that Belly Dance is wonderful for! I would have LOVED to see your Dragon-Dance....and maybe, on the spiritual plane, we are all experiencing each others' dance!

    I remember being so filled with the Dance that I "became" a bird, a wonderful hawk, soaring through the sky, and then moving my wings in such a strong and natural way.....then came back to earth and to my own body.....ahhhhhhhhhhhhhhhh. While I was "up there," I experienced the feeling of seeing things "from above," and that helped me, later, to see the "big picture" in the things that were happening in my life.

    Belly Dance may have been originally created (partially) from animal's teachings....the Dragon, the Snake, the Cat....each of these reminds me of the sensuousness of the dance.

    This is reminding me of the Motherpeace Tarot Card "The Magician," which is called "Dancing the Fire." Vicki Noble writes:

    "Magician's dance celebrates her connection to the world of animals, her ability to project herself into animal form or take them into herself, at will. She is Neith, skin-clad Triple Goddess of Libya. She is a divine Yogini of Indian heratige, like Bhairavi, the pre-patriarchal Goddess who wore a lion's skin around her waist and thighs and an elephant skin around her waist and thighs and an elephant skin across her shoulders. Her hairstyle includes a snake as her tiara; she stands with her hip out in the traditional yogini posture."

    Ha! So many NEW steps we can learn (remember?) as we "dance the animals."

    I belong to a wonderul tribe called "Sacred Animal Spirit Guides" that you might enjoy! Check it out some time! :-)
    • Re: dancing with totem animals

      Mon, August 25, 2008 - 12:41 PM
      And not to forget, of course, the variations on camel walks and so forth. What at basis of those is anything but imitating the gait of a camel?

      Imitation of animals and other movements in nature -- the swaying of grasses and trees, the flowing of water in rivers, the waves of the ocean -- are certainly at the roots of dance. And it is not just outer imitation, either -- but to imitate is to try to experience the being and energy of what is being imitated. As children no dubt we did this, imitating the dog or the cat to somehow better know what it is to *be* a at or a dog. When I was very young, a school teacher called my mom worried because during recess I was off by myself in the grass hopping around... until my mom laughed and said "we were watching a show about kangaroos. She is probably just playing at being a kangaroo!"

      Many forms of dance originate with shamanic practices, in which the shaman embodies the energies of other spiritual beings, be they of the underworld, middle world or upper worlds -- spirits of animals, or spirits of gods or godesses -- to heal others and their community. To dance, in the respect, is to become again one with the energies of life and of the cosmos. It is. in the broader sense, a form of yoga - union or yoking of the individual self with the wider Self, overcoming the illusion of separateness which lays at the roots of suffering, unhappiness and dis-ease.

      Technique 'freezes' that spontaneous expression into specific, nameable and readily transmitted forms. They need to be re-inhabitated by living spirit though to really bring them to life, as it were. So returning to some of these original connections are useful, to bring a sense of balance to the dance -- a balance of outer form, technique, and inner expression or spirit. It then can once again become a healing art, re-integration of self, others and community.
  • Re: dancing with totem animals

    Sun, March 22, 2009 - 5:00 PM
    I've experienced this many times. I've also realized Spirit Guides dancing with me. I've found that I have to intentionally ground myself during entertainment perfomances or else I end up floating away (dancing in tounges). But the experience is wonderful, nurturing yet sometimes scary.
    PEACE - Audie
    • Re: dancing with totem animals

      Sun, March 22, 2009 - 6:43 PM
      I love how you've described your experience, Audie. I also dance with Spirits....Guides and friends. Sometimes I "let them in" and they add one of their steps to the dance. I feel we are all part of the same Great Spirit! ;-)

      May all our dances be danced for the good of all, according to free will.
      • Re: dancing with totem animals

        Mon, March 23, 2009 - 4:49 PM
        So I'm just curious - would anyone like to share their dance meditation techniques? Do you do something special, or do you just put on music you like and start moving?
        • Re: dancing with totem animals

          Tue, March 24, 2009 - 2:44 AM
          I did a chi kung teacher training where all the chinese 5 elements are connected to the energy of the different animals.
          I have been exploring the different elements ie water - snake turtle bear dragon in the chinese system and their chi connection and looking at how these translate into snake arms and body undulations and camel walks etc. I have found the water element pretty easy to work with and am starting to explore fire and earth. The Chinese always connect birds to fire (crane). I feel the shimmy is a firey move would would welcome comments.
          • Re: dancing with totem animals

            Tue, March 24, 2009 - 9:36 AM
            This is very cool! I'd love to hear more about these relationships you find as you may feel inclined to share.

            Fire, I keep thinking of energy rising up towards the sky. I wonder how that would translate in dance? Maybe just imagining yourself that element as you dance, and allow the energy to move.

            Shimmies also sem to me may be Earth -- Earth quakes, even. ;)
            • Re: dancing with totem animals

              Tue, March 24, 2009 - 10:13 AM
              I do windmills. I don't know if that's what they're actually called.
              I am bipolar...water and fire mixed (go figure). I am drawn down, bent at the waist with my arms hanging and swaying. I envision being in the shallows at the beach and running my fingers through the water. Then I am drawn up, reaching as far and as tall as I can go stretching, envisioning reaching for the sun. And back down again.
              When I am in dancemed that is what happens EVERY time. No matter what we started out on.
              And I identify with dragon.
        • Re: dancing with totem animals

          Tue, March 24, 2009 - 10:59 AM
          For me it's less about what I DO, and more about how I FEEL. I find that if I am filled with some kind of uncomfortable emotion, the dance will help me transform it into something more akin to "pure energy." Once it becomes "pure energy" it is easy to work with.....and I can channel it toward healing.

          The actual transformation of the energy happens as I dance with my Spirit friends, and even channel them. Or "dance the animal" as the Motherpeace Tarot cards put it! (The Fool, the Magician, Strength, especially).

          Once the energy has been transformed into "pure energy," I can direct it toward healing (myself and others), peacemaking (direct the energy toward a part of the world where conflict is occuring....or toward people who are quarreling, clearing sorrow and pain (people, places, animals, trees, etc.), blessing (anywhere and anything!), or just directing it toward our loved ones who can partake of it if they wish!

          (A good "extra" zip can be added to the "conflict resolution" by throwing a bit of salt on a fire....this will make the fire "jump" and the salt crystal "explode." BE CAREFUL with this. If you are just burning a candle, you only need ONE GRAIN of salt! As it POPS, the obstacle that is keeping the people fighting....that obstacle will open up! Always work "for the good of all, according to free will" as Marion Weinstein puts it.)
        • Dance Meditation

          Tue, March 31, 2009 - 9:47 AM
          "So I'm just curious - would anyone like to share their dance meditation techniques? Do you do something special, or do you just put on music you like and start moving?"

          Just a little from my own experimentation and limited experience...

          One way to begin dance meditation is to let the music become you. Begin maybe by just closing your eyes, in a relaxed posture, and breathe with the music, and allow the movement naturally unfold from that place. (I find this best with slower or more taqsim style of music, maybe).

          Another is beginning with a specific repetitive movement, such as a qi gong movement (as I often begin with), and then as the energy builds just follow it where it wants to lead. Move always from your center, which is the belly (lower dan t'ien in qi gong terminology), without thought. You can alternatively begin with a simple movement such as maya, or umi, or even some 'warm up' movments, the underlying principle is the same. (To me dance meditation is not limited to any one form or style dance, but rather you will probably find what you do will naturally follow whatever forms you have studied and practiced to the extent that they have become integrated into your muscle memory.)

          Of course that latter part is the hard part! Especially when the thoughts such as "am I doing this correct?" or "Does this move look right/good?" or "am I doing bellydance or something else?" and so forth. Thoughts like these kill the flow very quickly, in my experience. Let them pass by like clouds. Part of the point for me is to evade our internal censor, very much caught up in ego, in order to experience of a more free movement and connection with the energy of spirit that is all around and within us. As in any meditation, you will find the moments of that openess increase gradually, from a few seconds to a minute or two and so forth. If you lose the flow as a result, you may need to stop, and start again.

          And in the end, return to stillness, and ground.

          And remember, of course, meditative dance is about your experience, rather than being about a performance to display to others. However, if by chance you record a session, you may be surprised by the results too! Especially the times when you really were lost in the moment, as it were.

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