So I was cruising around different psytrance haunts online and couldn't believe the despise some have for other psytrance sub-genres. I posted my latest mix on a darkpsy oriented site and got blasted for inlcuding a Skazi remix. Hell, even got called a blashpemour for including the track on the same playlist as Juno Reactor. Keep in mind this is a 80 minute mix designed to be burned to cd. Not a 2.5 hour performance at 3am in the middle of the forest on a three-day festival.
It really didn't hurt me that I got criticised. I mean, that happens and you can't please everybody. But as I read other threads, I noticed that there is alot of division when it comes to the music. Full-On enthusiasts blast darkpsy. Darkpsy enthusiasts slam full-on. Then there's sub-genres that I never thought would exist: psytech, psy-breaks, and an array of subs in the "full-on" category. What I don't understand is how people can be so myoptic in thier view to eliminate other styles. Psytrance has always been a genre that have embraced different sounds and even other styles (like drum and bass). This is what makes it such a wonderful style of music to play and perform. To know that you can work beyond the realm of your standard existance to create something truly new.
I feel that genre blasting and being closed-minded to ANY form of music is damaging to music as a whole. I also think that need to subclassify and over-generalize music is a waste of time. I feel it pedals the music backwards by it incessant need to be "labeled". Why can't it just be psytrance or goa trance? One can argue that it's the result of the music being more diverse with different influences, but if this is the case how would you explain Simon Posford's involvement or Juno Reactor's production styles? Both with two decades of production under thier belt and the older stuff is just as arrayed as today's new tracks.
It's madness to over classify and it creates division. Which overall is not good for the music. Just because a producer or dj puts out a "full-on" performance that surely doesn't mean they aren't capable of doing something darker (or lighter, if needed). In fact, most psytrance dj's and producers I know often cross boundaries all the time. I even know a couple artists who produce drum and bass and even house music as well. It's this madness of division why I often find myself out of place in many psytrance circles. I feel not part of "the elite" because I don't conform. Since when has this music become about conformity? Since when was this music about "having a standard" of sound?
This isn't about blasting anybody or any music in particular. It's about the state of the music. It's about the future of the music. It's about the history of the music. Psytrance music has always been in control of the people who make it and perform it. When we start over classifying it, we are doomed to relenquish this by giving control to somebody else. We're doomed to give control to a label or identity that we, the creators, didn't create.
Anyway, that's my rant. Thanks for listening.
Namaste-
It really didn't hurt me that I got criticised. I mean, that happens and you can't please everybody. But as I read other threads, I noticed that there is alot of division when it comes to the music. Full-On enthusiasts blast darkpsy. Darkpsy enthusiasts slam full-on. Then there's sub-genres that I never thought would exist: psytech, psy-breaks, and an array of subs in the "full-on" category. What I don't understand is how people can be so myoptic in thier view to eliminate other styles. Psytrance has always been a genre that have embraced different sounds and even other styles (like drum and bass). This is what makes it such a wonderful style of music to play and perform. To know that you can work beyond the realm of your standard existance to create something truly new.
I feel that genre blasting and being closed-minded to ANY form of music is damaging to music as a whole. I also think that need to subclassify and over-generalize music is a waste of time. I feel it pedals the music backwards by it incessant need to be "labeled". Why can't it just be psytrance or goa trance? One can argue that it's the result of the music being more diverse with different influences, but if this is the case how would you explain Simon Posford's involvement or Juno Reactor's production styles? Both with two decades of production under thier belt and the older stuff is just as arrayed as today's new tracks.
It's madness to over classify and it creates division. Which overall is not good for the music. Just because a producer or dj puts out a "full-on" performance that surely doesn't mean they aren't capable of doing something darker (or lighter, if needed). In fact, most psytrance dj's and producers I know often cross boundaries all the time. I even know a couple artists who produce drum and bass and even house music as well. It's this madness of division why I often find myself out of place in many psytrance circles. I feel not part of "the elite" because I don't conform. Since when has this music become about conformity? Since when was this music about "having a standard" of sound?
This isn't about blasting anybody or any music in particular. It's about the state of the music. It's about the future of the music. It's about the history of the music. Psytrance music has always been in control of the people who make it and perform it. When we start over classifying it, we are doomed to relenquish this by giving control to somebody else. We're doomed to give control to a label or identity that we, the creators, didn't create.
Anyway, that's my rant. Thanks for listening.
Namaste-
-
Re: Psytrance division...
Tue, January 16, 2007 - 12:58 PMits human nature to catalog and categorize things. We do that so that we can organize things that are so different and diverse into something that is more easily understood, talked about and organized. We need adjectives to be able to describe things clearly. This is where we get sub genres from as well. Since words never really do music any kind of justice we have to be able to make attempts to describe something to someone else. If you're telling your friend about the track you wrote and they ask what does it sound like? You might use words like melodic, full on, progressive, dark, mental, glitchy, techy ect to give them the idea of what its like. If you're writing dark psy trance you dont want he person you're talking to thinking your music sounds like Barry Manilow. Since not all music sounds the same its only natural for there to be diversion in the words used to describe the infinite amount of styles there are. This is the reason people dont just say goa trance when it comes to describing the different styles.
On another note there are only 2 styles of music. Good and bad. That is all that matters honestly. There is good and bad in every style in fact about 97% of any style of music is complete garbage and there only that 3% that is any good. We know what is good and bad to our ears regardless. There are styles that i do listen to more however i hear a lot of crap out there that i dont care for like anyone. So just know to yourself if something is either good or bad without caring so much what the categorized style is.
Genre wars are trite, lame and reminds me of highschool. I find it immature and typically those that are closed minded enough to do that have either:
a. only heard the 97% of the garbage in the said style they're slamming
b. haven't graduated to the point in music appreciation to understand that music is either good or bad regardless of the style.
Now i dont rock out to polka in my mp3 player or my car at all really however im not going to say "polka sucks" either because i really haven't been exposed to enough of it to get to that slim 3% that i actually might really enjoy. I happen to enjoy something about all styles of music but even with some styles that ive been known to slam on such as post 2000 hip hop that gets played on the radio...i find most of it rubbish however I know there is a lot of new hip hop out there that i dont get exposed to and its probably just part of the slim 3 percent. That goes with everything. (plus it was better in the 90s imho hehehe)
from being a producer i can tell you it gets boring the write the same style all the time. Things change your life changes your music changes. That is just how life is. We shouldnt expect it to always be the same either and when it happens someone will find another word to describe the different music that you're writing. Go with your heart. Dont worry about trying to to conform to people or the elitist bastards that will try and shackle your creative abilities to their will. Keep doing what you're doing if it gets you excited and the dance floors that you unleash your frequencies upon. -
-
Re: Psytrance division...
Tue, January 16, 2007 - 2:41 PMJosh Wrote:
its human nature to catalog and categorize things. We do that so that we can organize things that are so different and diverse into something that is more easily understood, talked about and organized. We need adjectives to be able to describe things clearly. This is where we get sub genres from as well. Since words never really do music any kind of justice we have to be able to make attempts to describe something to someone else. If you're telling your friend about the track you wrote and they ask what does it sound like? You might use words like melodic, full on, progressive, dark, mental, glitchy, techy ect to give them the idea of what its like. If you're writing dark psy trance you dont want he person you're talking to thinking your music sounds like Barry Manilow. Since not all music sounds the same its only natural for there to be diversion in the words used to describe the infinite amount of styles there are. This is the reason people dont just say goa trance when it comes to describing the different styles.
My Reply:
But the true reason for this is because we are programmed to accept of not accept something by a name. This is why the term "progressive" is seeping it's way into even our genre. Progressive is a term coined by A&R people that implies that it is indeed "forward-thinking" in presentation when it actually is just taking time-tested fodder that ultimately sells records. So what if words don't (or can't) descibe the music. Music is best heard with no stipulations or prejudice.
Josh Wrote:
On another note there are only 2 styles of music. Good and bad. That is all that matters honestly. There is good and bad in every style in fact about 97% of any style of music is complete garbage and there only that 3% that is any good. We know what is good and bad to our ears regardless. There are styles that i do listen to more however i hear a lot of crap out there that i dont care for like anyone. So just know to yourself if something is either good or bad without caring so much what the categorized style is.
My Reply:
Who determines what is bad and good, really? I don't like the pop fodder of emo-punk because I feel it's a fake facsmilie of the angst punk of long ago. I feel it emulates the post punk, new wave sounds of The Smiths, Bauhaus, or Depeche Mode without the substance of true rebellion. But that's not to say that others don't consider it "good" music. My son, a musician as well, loves that stuff. Good and Bad is all a matter of perception.
Josh Wrote:
Genre wars are trite, lame and reminds me of highschool. I find it immature and typically those that are closed minded enough to do that have either:
a. only heard the 97% of the garbage in the said style they're slamming
b. haven't graduated to the point in music appreciation to understand that music is either good or bad regardless of the style.
My reply:
I couldn't agree with you more on this. Which is exactly why I feel that if people come into things with an idea that they know the music already by some bullshit category, it hurts the music as a whole. Hear no evil, see no evil.
Josh Wrote:
Now i dont rock out to polka in my mp3 player or my car at all really however im not going to say "polka sucks" either because i really haven't been exposed to enough of it to get to that slim 3% that i actually might really enjoy. I happen to enjoy something about all styles of music but even with some styles that ive been known to slam on such as post 2000 hip hop that gets played on the radio...i find most of it rubbish however I know there is a lot of new hip hop out there that i dont get exposed to and its probably just part of the slim 3 percent. That goes with everything. (plus it was better in the 90s imho hehehe)
My Reply:
And you're entitled to that. But if a friend of yours busted out with a polka cd of his music, would you discredit it because it's "not your thing". Funny you mention polka because if you listen to alot of Hard House (especially latino hard house), you hear the "ooompah" of polka beats. The point is to not to discredit ANY music based on a title.
Josh Wrote:
from being a producer i can tell you it gets boring the write the same style all the time. Things change your life changes your music changes. That is just how life is. We shouldnt expect it to always be the same either and when it happens someone will find another word to describe the different music that you're writing. Go with your heart. Dont worry about trying to to conform to people or the elitist bastards that will try and shackle your creative abilities to their will. Keep doing what you're doing if it gets you excited and the dance floors that you unleash your frequencies upon.
My Reply:
I can completely relate to this. And with this, you have probably been under scrutiny yourself. People not liking your music because it's nothing they've heard before.
-
-
Re: Psytrance division...
Mon, January 22, 2007 - 6:25 PM"But the true reason for this is because we are programmed to accept of not accept something by a name. This is why the term "progressive" is seeping it's way into even our genre. Progressive is a term coined by A&R people that implies that it is indeed "forward-thinking" in presentation when it actually is just taking time-tested fodder that ultimately sells records. So what if words don't (or can't) descibe the music. Music is best heard with no stipulations or prejudice."
I was just saying that if you haven't heard something, or someone was describing music to you without having it right there programmed or not you have no choice but words to describe. (obviously)
Also telling someone in the psy scene that so and so artist makes full on says a lot but try describing full on to someone that has never heard any trance at all and only listens to country. Full on wouldn't mean anything to them. It might even be better just to enthusiastically say its "good" and introduce them to an experience they haven't encountered before.
"Who determines what is bad and good, really?.....Good and Bad is all a matter of perception."
duh! ;P thats what im sayin homie. All art is as subjective as the opinions that decided to create it. :)
"And you're entitled to that. But if a friend of yours busted out with a polka cd of his music, would you discredit it because it's "not your thing". Funny you mention polka because if you listen to alot of Hard House (especially latino hard house), you hear the "ooompah" of polka beats. The point is to not to discredit ANY music based on a title. "
I would listen and decide just like anyone really. Honestly i used polka in that illustration because its a style of music i have hardly any exposure to not necessarily because "its not my thing" So im open for it and if its good its good, if its bad its bad.
"I can completely relate to this. And with this, you have probably been under scrutiny yourself. People not liking your music because it's nothing they've heard before. "
Not really. Most people that haven't heard stuff like it tend dig it even more for me at least. Either way all art is subject to scrutiny other wise don't ever show or play your art for anyone. you also gotta give respect to opinions weather its a viewer or an artist. Without opinions we wouldn't have art. People make decisions to make this bassline or use that color just like others make opinions of weather or not that bassline or color sounds/looks shitty or brilliant.
-
-
-
Re: Psytrance division...
Tue, January 16, 2007 - 1:54 PMThe reason is : MOST people/humans are STUPID brainwashed sheep that go to burningman like good little trust-a-farian boys and girls and etc etc etc ...
-
-
Re: Psytrance division...
Tue, January 16, 2007 - 9:14 PMhmm...good points.
I agree that music is either good or bad.
But there is also a big deciding factor of choice.
One does not, and realistically cannot, like all good music just because it's good...and "good" itself is a personal opinion. You may think Marilyn Manson sucks but clearly 20 million fans have another opinion. So, good/bad is very subjective.
Personally, I know there is good dark-trance but also know there is a time and place for it, just like for full-on. But judging by the "number of artists"/quality ratio being so high, I always feel that a dark trance party would most probably be boring...and my experience proves it. Note: This is all a personal opinion. I know people who absolutely love those parties and all power to them.
Also, remember many parties are a scene, with scenesters hanging out and wearing their best gear and focussing on drugs and booty more than the music.
Anyway, I digress...
To come back to DD's point, psytrance music should somehow converge and there should be some kind of flow across sub-genres in a party where the right music is played at the right time. Many visionary organizers do that already. Symbiosis was a good example. -
-
Re: Psytrance division...
Wed, January 17, 2007 - 8:57 PMThank you Ra)...
Keep in mind that the purpose of this post is to build a greater knowledge, awareness, and acceptance to the diverse styles of psytrance without placing an ego (or ethos, if you will) on the genre. I thoroughly agree that a progression of sound is imperative to a good party. It's sad to think that even amongst our own, the "scene" is becoming more about being "seen". I don't care for house music, but if I'm booking an event/club/whatever, if some house is appropriate, then I place it. I've actually clashed egoes with some regional hitters over this. They would feel that they belong during the peak hours, despite the energy (or vibe) of thier music calling for much later or earlier.
Which brings me to a true adage of all time...
A good dj knows the crowd and will rock it whenever he/she is timeslotted. This is why it's so important to get out of that myoptic box of playing a certain style. -
-
Re: Psytrance division...
Fri, January 19, 2007 - 11:06 PMNO NO NO NO... THIS MADNESS HAS GOT TO STOP!! PLEASE !!!! those people don not know how to appreciate psytrance and maybe accidently discovered our world on day at a party...but this just sucks....ppl that don't know much about psytrance, the spirtualism that is connected to it... the way that it connects you to other realms of mysterious and wonderfull events... the uniting of people as they participate in an all night dance ritual...as stated by the goa pioneer himself ..Redefining the Ancient Tribal Ritual for the 21st Century ...(the Trance Dance Experience) its just sad to think like that the scene in general (globally) should go through this and experience such things... its not bad to separate and have sub genres... but truth be told i personally enjoy all realms of trance (full-on, morning, night)( progressive) dark psy), twisted teutonic, minimalistic... one love... -
-
Re: Psytrance division...
Fri, January 19, 2007 - 11:11 PMtrue.. EITHER ITSGOOD OR ITS BAD.. -
-
Re: Psytrance division...
Sat, January 20, 2007 - 5:04 AMthis really boils down to a complicated issue of individual and group taste.
one thing that i always want to remember when i think of people and their music is that it's what speaks to them in a way that nothing else does and that they relate to it in some way that is very special to them. also, there are people that don't care much and will dance to whatever is available and or other people are getting into. i'm not speaking of these people because they usually are not the ones on the music forums genre or making snide remarks etc.
for me, it's not just music or the focus of the event. it's a special language and tool.
it's hard, even for me, to keep away from making fun of music that i feel is mocking, in some sense, the true spirit of which people are looking for in the tunes. (i say 'even for me' because i'm usually a very passive person).
i know that the music that really gets me off is something very special to me and i don't want to have to defend that! i want it to be nurtured and thought of as just that, something very special and empowering for me because of the way that i connect with it. likewise i wouldn't want to take away from other people's power source and create a negative energy flow that takes momentum away from the overall point which i would hope is progression.
at some points i feel like i'm on a mission of sorts and the music i love plays a very important part in me being successful with reaching my goal. it makes sense to me to assume other's are in the same boat with me on that. so, i understand peoples strong emotion around the subject.
something i've come to terms with is that there will always be music and a 'scene' of which i think is lame or overkill and defeats the purpose of what it's seems to be working at accomplishing. but the key word there is purpose. so, instead of taking away from others flow, i have compassion and understanding. where i want to rant about this or that, i just internalize and create understanding for myself. this is what works for me. i recommend it to people who always seem to be in the middle of some type of genre debate.
in short, be considerate of other's opinions and think before you post/speak.
there a millions of way's to speak positively of what you like without taking away from what you consider crappy, cheesy, lame, noisy, negative, or whatever, that someone else you share space with really digs.
=) -
-
Re: Psytrance division...
Sat, January 20, 2007 - 5:08 AM
i hope my previous post is not too of topic.
i guess i've elaborated on one particular facet of what the topic is about while leaving out a response to many other parts.
sorry
=) -
-
Re: Psytrance division...
Sun, January 21, 2007 - 7:07 PMONE LOVE, TRIBE...
-
-
-
-
Re: Psytrance division...
Mon, January 22, 2007 - 6:42 PM"those people don not know how to appreciate psytrance and maybe accidently discovered our world on day at a party...but this just sucks....ppl that don't know much about psytrance"
Who is anyone to say weather anyone else can appreciate something or not? We all have opinions and they're all equal in the sense that no opinion is wrong or right. So are you saying that there are people that dont deserve to listen to it or experience a psytrance event? I'm just trying to understand this post...so forgive me if im misunderstanding you.
There are things that i don't like but i appreciate it. Even styles of music, types of food, movies any kind of art. I may not like something but I can at least appreciate the work and passion that went into it. I can hate a track but appreciate the compression on the mastering. I can hate a movie but appreciate the work it took to model/animate the 3d objects in that one scene ect ect. I dont believe that i can predetermine someone's appreciation for something however. People can surprise you and everyone is entitled to listen and experience what they want IMHO. -
-
Re: Psytrance division...
Mon, February 5, 2007 - 9:00 PMMark, you're not off topic. In fact, you're dead on. Personal taste is just that., personal. But yet some people are chastised, scrutinized, and often discriminated because of thier personal taste. What my point is with all this is that chastism, scrutiny, and discrimination truly don't fall into the values of what psytrance and goa trance are truly about. If you look at the history of the music, it was built on doing abstract things and using abstract drugs as a gateway towards an abstract way of thinking. Much like the punk revolution of the 1970's, it was about doing things differently and accepting those whom thought differently (even differently than the collective). It truly saddens me to hear trancers discredit and try to disenchant other trancers based on something so personal as musical choice. Especially when the music as a whole is designed to enchant the listener and expand the thought process of the individual beyond the ego.
This is surely what the ONE LOVE, ONE VIBE mantra of unity means, right? That through psytrance and goa trance we are able to dislodge the ego and become one in the cosmos? Is this not the "spirituality" that surrounds the sounds of psytrance and goa trance? Then why should we allow such egotistic thoughts into that which is so blessed?
Sure it is with conflict that innovation comes, but with understanding comes knowledge. With knowledge comes expansion. And with expansion comes diversity. And it is this in which we celebrate our unity through diversity. By chastising or discrediting each other, we only hinder our chances of celebrating diversity. Which is the spiritual nature of the music we love.
I think of the tribal days of man when a shaman would build a great fire and beat an asyemetric rithym on a peltskin drum. While others danced around in random footsteps wailing in tounges often not even translatable by thier own. Surely by todays technological standards this couldn't be registered as "good" music. Each tone off-key, they beating of the drum nowhere near steady. The dance patterns randomly chosen at best. Yet this was spiritual and deep to these people, our ancestors. It was a moment where they were not only one with themselves and thier tribe, but with the cosmos and GOD his/her/it-self. They were above being "seen" by anybody else but GOD. Collectively they were in unity with all, despite thier differences in dance steps or the off-beat of the drum, or the height of the flame.
This is the true nature of psytrance and goa trance. And truly while diversity should be celebrated, division should not be.
-
-
-
Re: Psytrance division...
Fri, March 16, 2007 - 2:08 PMVery true. Not to mention progression WITHIN AN INDIVIDUAL DJ'S SET. I'm a big fan of mixes ending in a different place than they started. It's like a challenge : "Okay, how do I get from this style over to this style?" As a DJ, you get into the habit of contextualizing tracks before you even play them out. Track "b" will present itself as a neutral bridge between tracks "a" and "c", the latter two being of more disparate styles. -
-
Re: Psytrance division...
Wed, March 21, 2007 - 7:50 AMToo few DJs bother with this... so often do I hear DJs with "one sound" that specialize so much their sets have no depth or storytelling. -
-
Re: Psytrance division...
Wed, March 21, 2007 - 1:46 PMmeh... give me a break... the dj is there to get the crowd moving... this ain't story time boys and girls... this is keeeeelah pounding bassline time and he brought his friends scratchy acid synth and evil metal pads with him... it sounds like a joke, but that is how I feel...
-
-
-
-
-