It was an honor to take a class with the Tablah King, her was here in Albuquerque, NM and it was great. I hope i can be 1 th as good as him some day.
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Re: He was here.
Wed, November 14, 2007 - 11:46 PMWhile I have had that honor and share the sentiment, for clarity's sake I should point out that Issam Houshan already has this title of "The Tabla King" tribes.tribe.net/issamhoushan... I don't know that Souhail has, needs or wants a title. We should ask though.
God of All Tablah
Duke of Doum
Emperor of the Pure Style
???
As far as being as good as that some day, well, practice practice practice. It's not impossible, it's already been done, there HE is!
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Unsu...
Re: He was here.
Thu, November 15, 2007 - 4:19 PMI have seen turkish players who make the "king" look like a beginner so I am really unsure about this whole king title -
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Re: He was here.
Thu, November 15, 2007 - 4:39 PMI think that's a pretty inflammatory statement. Are you really saying that you have seen people who make Issam seem like a sub-par player? It's hard to imagine that. I don't doubt that there are plenty of split-finger players who can play a faster roll than Issam, but so what? A dancer can only shimmy so fast. He can play a large number of drum solos from memory, and he also is one of the best at drummer-dancer interaction, and an excellent teacher.
I get so tired of hearing about how much better the Turkish style is because of it's inherent ability for a higher top speed. That's one of the last things to worry about. It's the musicality, understanding of the rhythms, and understanding of the interaction with a dancer that makes a really valuable drummer.
I'm not attacking you as a person, and I understand that you were probably just using hyperbole, but there are a whole bunch of people who think that a super-fast split-finger roll is the epitome of drumming.
I just want us to all get along, and understand that Turkish and Arabic styles are like apples and oranges.
-Dave
P.S.: All the stuff I said above about Issam, I believe about Souhail as well. If pressed, I think I would probably say Souhail is a slightly better technician than Issam, but with that level of artistry the distinction is moot! -
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Re: He was here.
Thu, November 15, 2007 - 5:13 PMI`d like to see some of these turkish players that allegedly smoke Souhail and Issam..I find it hard to believe myself....
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Re: He was here.
Thu, November 15, 2007 - 5:19 PMApples to oranges, yup, this Turkish vs Arabic thing.
But then so much of the current Turkish bag is borrowing from the Rom, Indians, Persians and Central Asians (or is it they are cross influencing each other constantly lol) these days so if you are familiar with, or play from, those idiosyncrasies then there's no big deal. While I enjoy playing and listening to 'chops' oriented idioms at whatever statistical density, I will always appreciate pure tone and the ability to make *a clear, concise statement with some room around it to define it as such* more.
So many of the Turkish players I see on the youtube are making a <sticks tongue out, purses lips, blows> it's like a raspberry with spraying spittle... When I see people play like so, I wonder, do they make the love the same way? -
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Re: He was here.
Thu, November 15, 2007 - 5:24 PMI can make some very fast squeals on a violin, but it's not music.
Purity of tone, proper accenting - that's playing music!
Sometimes far less is far better; like a chiftitelli played for a dancer where you pull WAY back on the fills and let her movements do the work - it doesn't get any better than that, gentlemen!
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Re: He was here.
Thu, November 15, 2007 - 6:29 PMI have to say, I'm pretty tired of hearing the Turkish vs Arabic distinction as well. That's like saying "I know some jazz drummers who can blow you rock drummers out of the water!" First of all, who cares? And second, why are you comparing the two? And since when did drumming suddenly become a full contact sport?
I know some local players, some of them friends of mine, who are fun to sit in a circle and have a serious balls-out jam with (excuse the expression) who have some serious chops and speed and can be a lot of fun to play with. However, their only goal with their drumming is to kick butt and take names. And by that, they mean to out-roll or out-chops their opponent, as if by somehow playing just a little faster, a little longer, a little more aggressively, they've "won." But then they want a lesson, and they don't know what style they play or want to play, have never heard a single Middle Eastern song, and wouldn't know how to play with live music or for a live dancer. And the only thing they want out of the lesson is to "learn finger rolls like Raquy does them."
I encountered this type in my old life when I played marching percussion in a very competitive drumline. Every season started with some of the most grueling auditions, and you were never guaranteed a spot regardless of seniority. Sure enough, every year the hall would be filled with new hotshots waiting to try out, all of them jamming on their practice pads with the most aggressive, chopsy, speed-filled grooves imaginable. Some of it was quite impressive, but the true test was when they had to move on to the group auditions, then guess what? They can't read, have no musicality, no sense of dynamics, no ability to follow direction or work with others. In other words, guess who were the first to get cut? I can guarantee there are as many of the same types of kill-em-all hand drummers out there who aren't performing publicly. And I'm sure there are some seventeen year old Turkish-style drummers sitting in their living rooms with a little camera who could conceivably out-roll Issam or Souhail or any other master, but who have never studied the music or the cultural history or toured around the world or taught and influenced hundreds of thankful students or played for kings. Hooray for them. -
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Re: He was here.
Thu, November 15, 2007 - 7:00 PMMusic is like conversation....If you have one dude blabbing away constently, the other dude hasn`t got room to get a leg in..Essentially becoming and audience for the first dude. the only time the first dude stops talking is when he`s thinking of what he`s going to say next.never listening the the second dude at all.
Playing by or with yourself is one thing....but when you are playing with other artists (musicians dancers ect) you have to leave room for interaction.
I know a dude that will talk and talk and talk for HOURS...non stop....He`ll even add your part in with lines like "so what your sayin is" and proceed to tell you "what your sayin" but you never said a word! I know musicians that do the same thing.....they want to be the one making the noise....A little off topic but with guitar I`ve found a secret song that seems to shut a lot of them up.....The star spangled banner................ a few lines in and they just stop and stare at you. one dude even took off his hat.
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Unsu...
Re: He was here.
Fri, November 16, 2007 - 4:33 AMWell then let me say this I am unimpressed with anyone with a title. No matter what all of you tink there is always someone else unknown or not that will be better than who you think is the best. Being the best is just opinion everything on this planet is still based on opinion. You want me to sign up on who is the best then you better get me some mathematical facts. I work in the engineering field and nothing is based on a guess either its fact or its not. I say its a boast also we are all humans no one person is better than the other we all get sick bleed and die like everyone else. I will never say I am better than anyone else or give myself or accept some silly title. Its just a drum folks not som cure for cancer or diabetes or some other diesease that needs curing. -
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It really must be said.
Fri, November 16, 2007 - 5:34 AMI'd like to make a heartfelt apology to Bob, a relative newcomer to the art of Tablah playing: totally innocent of these kinds of politics and posturings, who started this thread with the best and most honorable of intentions, for the threadjacking that has happened here.
However:
Sean, I am wondering why you're getting so worked up over this, and needed to stomp on Bob's good vibes to this extent, in this particular way.
Be aware, while it's "just a drum" to you, it's been a way of life and also healing for me to play drums: a way towards having a positive self-esteem where there was none, build relationships with other humans and also to have a livelihood for 20+ years now. And that's a very tangible thing.
I think that having heroes to look up to in one's life is very important, just as important as curing diseases, but on a different scale entirely.
eg: Souhail entered my life quite some time ago and fixed a lot of technique problems I was having, thus helping me get rid of a nasty wrist problem, enabling me to continue on with what I was put here on this planet to do, and coincidentally make a living doing.
I am not running around telling people HE'S THE BEST, even though if he isn't - he's damn close. And if there IS another exponent of that school of playing (Nadi al-Fonun al-Arabia) that's that good, well, where are they then?
It seems that you insist on having a negative reaction to a title instead of a positive reaction to the person-of-artistic-merits, which I find strange. No one is trying to sign you up for anything, where did you get this idea? No one signed me up for the Souhail fan club, either you are in it or you are not, either way it's ok. If you truly don't believe that he IS one of the best exponents of classical Arabic Tablah playing that's fine, man - but there's a loooooong line of people that will disagree. Look at who he's played with, and for, in his life, ffs! You wanted proof, well, take a look at that quite lengthy list, you ought to have heard of at least SOME of those people if you've been playing Arabic for a while.
It's proof of QUALITY, which you seem to find lacking, from your initial statement.
I have never heard the man himself going around telling people he's the best. If some people do, and they are entitled to their opinion, then that should be fine. Maybe for them, at that point in time, he IS the best. And maybe that will inspire them to carry on with broadening their horizons, and trying to be the best at something... anything!
It's true we are all humans (well, most of us are, I have my doubts about most politicians) but it is a given that we're all going to be better at different things, which is why you are an engineer for a living, and I am a musician for a living. No problem there... well, there shouldn't be. -
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Unsu...
Re: It really must be said.
Fri, November 16, 2007 - 5:43 AMI am not stomping if I was I would say things like He is horrible he sucks and so forth. I just do not agree with people who proclaim themselves as the best ,king, and so forth. I like musicians that others do not and I didnt say anyone had to agree with me but it seems when I posted my response others screamed blasphemy because of my opinion. We all have our own ideas and were not all going to agree. -
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Unsu...
Re: It really must be said.
Fri, November 16, 2007 - 5:45 AMAlso I was not responding to Bob's post I was responding to the person after him who was developing titles for other popular drummers.
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