This is my current dilemma. Details if you want are this. I'm in a crew. The ideals of the crew are forfeit due to the needs of the "leader". I'm no longer going to help the crew. What do I do for the scene? Discuss.
I know it's been a while since we've seen any activity. Liven it up a bit if you can.
I know it's been a while since we've seen any activity. Liven it up a bit if you can.
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Tue, June 12, 2007 - 12:08 AMIf nothing else, keep mixing, you're making great progress in your style. That's always the best way to support in my humble opinion. Secondly, don't get down about it, you're a valuable dude. When I think of the crew that you speak of you're funny mug pops right into mind, and there ain't nothin' bad about that. Also, check it from all view points, I hope it all works out man, for reals. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Tue, June 12, 2007 - 1:39 AM*I read this blog from Adem Dirntz(sp?) The lead singer of the counting crows who have now broken up. Talking about a band member leaving caused the end of the band. It's pretty wise and relevant.
My Diary-June 11, 2007
Dated Monday June 11, 2007 9:45 am
Greenwich Village, NYC
Wow, I woke up early this morning and finally got around to opening my copy of The New Yorker and, lo and behold, they reviewed Stew and Heidi's play "Passing Strange". Fucking unreal. My friend Stew in the New Yorker. I always wanted to be written about in The New Yorker, the magazine of James Thurber and Dorothy Parker and the like. That's like a dream.
This "rock and roll thing"...it's just dreams, you know. It's mostly nothing BUT dreams, which is not to say that makes it, or them, any less potent or real. Sometimes dreams are more real THAN "the real", as Stew calls it repeatedly in "Passing Strange". It's the dreams that drive you and propel you forward through your life to where you wanna be. Without the dreams...you might slow down and stop and then...
I guess you have to make hard choices all the time. Sometimes these dreams you hold on to are just fool's errands you're using to avoid making the hard decisions about other areas of your life. And sometimes the compromises you make are just ways of giving up on your dreams. I used to think I was holding on to rock and roll because I couldn't face dealing with what my life would be like without it. Now it seems like I was just being brave and sticking it out (and I emphasize the word "seems"), but maybe that's just an accident of fate. If we hadn't been successful, maybe I'd just "seem" like one more deadbeat musician right now, someone you're mother wouldn't want you to bring home...as opposed, I suppose (god, that sounds like Dr. Suess), to the dreadlocked musician I am now, who by the way, your mom still don't want you bringing into HER house.
Deadbeat...dreadlocked...dreadlocked...deadbeat...two sides of the same coin...a flick of the thumb add it flips through the air and it lands...?
Think about Ben and the choice he had to make. He loves his wife and they wanted to have a family. He had a "LIFE" he wanted and he just didn't want to spend his whole time living it looking at it from a distance or listening to it down the tunnel of a telephone line. Can you imagine how tough it was to leave a successful band that you've put a decade into?
(Actually, considering how big a nut job I was back then, it may have been an easier choice than I think. Now that I think about it, I'm surprised anyone's left at all)
Anyway, my point is that Ben retired from CC because he wanted to raise a family and spend every day possible in his life among the people he loves. I know he misses us sometimes but, hell man, THAT is "the real". There is NO compromise there. He gave up something he loved for someone (NOW, it's plural) he loved. I hope I face that kind of decision when it comes and make the right decision, whatever that may turn out to be.
The longer your life goes on, the harder the decisions become. Inevitably at some point you're asked to give up something you love for something you love. So, sure, you hope you make the right choice, but there's nothing wrong with giving up something you love for something you love. I mean if you're not willing to sacrifice for the things you love, what kind of as person are you?
Huh.
I got way off an a tangent there. I do that a lot. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Tue, June 12, 2007 - 6:25 PMThanks, good insight into the issue from the band guy. You know how I feel about it I bet, Dave. Even though we haven't discussed it personally. I can say this, I am not down about not being involved, i have a ton of stuff to take care of as it is. I am actually quite relieved that I am out of the crew as it was getting me down to be in.
But, still, how can I help the scene that I am local to?
Part discussion point, part currious. Let me hear from more of you.
Oh, and thanks for the playin' rekkidz comment. I've been putting a lot more effort into cataloging and selecting the styles that I need to fill the gaps in my sets and it's helped a lot. It's more cost effective than buying any damn rekkid that I hear that i like...so. Thanks again. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Wed, June 13, 2007 - 6:47 PMIf you want to help the scene, then do it in any way that makes you feel like you acomplished just that... helped the scene. You could even go to the extent of having your own shows , contributing a positve aspect by doing another angle that can help build our scene. If we all keep building it AND keeping it together, we can only get the scene as a whole to grow bigger and better. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Thu, June 14, 2007 - 2:57 PMThanks for the reply. I've been thinking on that tip for a while now. Yes, I could start throwing my own events. I've got the experience and knowhow, the contacts with several venues in town. I'll consider it more seriously. You TCO cats willing to help out? Thanks for the input...keep it coming. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Thu, June 14, 2007 - 3:27 PMCan't speak for the whole crew but I'm down as hell to help! -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Sat, July 7, 2007 - 11:30 AMSome simple answers:
Basic promotion:
- promote other people's parties, even if you're not playing or going or like the music, but you do support the people throwing the event and you think the event is quality.
- promote other people's music
- start cool discussion tribes such as this
- support your local scene by going to a non-local scene and representing (this is huuuuge! and also the most resource-draining)
- throwing your own parties and cross-promoting other parties
- having fresh socks in the morning for everyone....
- going to CADENCE 2007 (that's for you FREEMAN) -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Sat, July 7, 2007 - 3:58 PMfresh socks are clutch, so is CADENCE 2007! -
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This is the maximum depth. Additional responses will not be threaded.
Re: What do you do when the scene and you part ways but you still want to help the scene?
Sun, July 8, 2007 - 1:43 PMwerd
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Mon, July 23, 2007 - 1:40 PMMy friend...
I've been through this many, many times. To be honest, you have to look within and ask yourself what you want for the scene. If you're ideas have been different than that of the crew. Maybe it's time to move on. I was once part of a crew that was all for the underground and the culmination of a youth sub-culture. But things outside my control changed. Far too many things to list, but things that I'm sure you'll acquainted with. The end result of such thing for the crew was to continue making money and gaining exposure. So they evolved their format to that which I didn't agree. So I had to leave.
I remained part of the scene until I couldn't take it anymore. Not being an active member of it forced me out of it. I tried to force an imposed exile on myself. I still spun for myself and my close friends but I didn't put myself out there anymore. I felt that what I had to offer, nobody (but my closest family and friends) wanted. That's when I discovered production. I had been remixing for years, but production is completely self-indulgent. I created music that I loved and that I would want to listen to. If it caught on, then great. If not, there was no worry of rejection and that awkward sense of wanting to belong.
Eventually, I found myself wanting back into the scene. I had remembered how much fun I was really having. This time, though. I choose to leave the drama, politics, and bullshit aside. I developed an attitude that I just didn't give a fuck anymore. It became less about them and more about what mattered. It began to really be about the music.
In my 15 years of this thing we call rave, there is one lesson I've learned that is probably the most valuable. Scenes change. People come and go. I can count on one hand how many people from "the scene" that I can truly call my friends. On that same note, I can count even less that I know that are still around even 5 years ago. The faces change, the sounds change, attitudes change. Politics and drama are there just to challenge you. But the music will be there always. Even if you decide to move on, the music will be there. The music will continue to be there.
So my advice to you is to figure out what you want out of the music. Then continue on to fulfill that need. If that means flying solo awhile, then so be it. I don't believe that whole "no man is an island" idea. I know plenty of people who do quite well doing what they love and remaining isolated in their thoughts. But if you feel you cannot do it alone, then search out people who do think like you do. Even if that means moving on to other places.
Hope this was some help.
Namaste-
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Mon, July 23, 2007 - 3:05 PMWell put. Thanks, Twisted. I appreciate your feedback. Like you, I've taken up production and am less involved in throwing events (make that not involved). I'll definitely be back at it some day for the love of the music, but we'll see how when that happens. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Mon, July 23, 2007 - 5:14 PMi think that all the points made are awesome... to expand on one point sam made.... in sf i have at times been dubbed a "vibe mistress" promoters wanting me at their party and happy because my presence on the dancefloor is a catalyst for everyone's experience...
also, leave the in-crew drama you are experience in crew. don't publicize it unless events prove so offensive that they violate universal laws of respect and decency. though you may not agree with how the crew is currently operating if no one is getting hurt and party goers are getting what they want and expect out of it then keep quiet, which i am sure you are. i have, through my friendships with so many promoters in this city, been privy to some, of the most, in my mind, scandalous ridiculous in fighting that i had ever seen in this little family of mine. the bullshit being thrown around by some of my friends was depressing. but those events really only affected the promoters and performers involved, so i spoke only to them about it....putting it out in public for everyone to see would only have caused irreparable harm to my relationship with those people and made the situation between different crews in the city even worse... -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Mon, July 23, 2007 - 6:51 PMThank you. Exactly why the details of this are left out. They aren't anyone else's business. As you said, the ball still rolls and people get what they want or don't come back. As to why I posted this if you are questioning my reason and respect for others, I posted it to get advice (much appreciated) and definitely not to spread the muck around. I'm not so big on trash talk. The people involved are all savvy to my feelings and respect them if they have bothered to find out why. They are all more than welcome hear and I respect their input equally on the topic.
All in all, Miss Puf, it sounds like you are objecting to this post being. If that is so, sorry you feel that way, but it's been up for quite some time now. I find it a good deal encouraging to see that other people understand and have lived through similar issues and continue to support which is what I came here to see. I hope that others will see it when they are having rough times in their scene and use the advice herein to their benefit. If you are not objecting to the post as I thought, sorry for the misunderstanding. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Tue, July 24, 2007 - 2:02 PMi should have been more clear, sorry. i whole heartedly support your looking for a lil help when you need it, and clearly the details (some of which i know) aren't there, i thought i had commended you for your discretion. again, sorry. what i was trying to say, if the situ is what i think, that there may come a time for intervention. i was still (and still am) faceless when i wrote this.. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Tue, July 24, 2007 - 7:13 PMWell, get your face back on. No worries. I appreciate the feedback. I was a bit surprised at how I read your other post. Thanks for clarifying. Ya, it's an ugly issue. 'Nuff said there.
So, I've been looking into venues for a triphop and downtempo night. I have a few heads that are willing to play and this will be a pay event - 5 or 10 at the door. Venue - venue - venue. Hmmmm. As much as I love and suppordt the underground, I think I want to try my hand at some more above ground efforts. Don't hate me...lol. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Tue, July 24, 2007 - 8:20 PMeverything eventually comes up for air. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Wed, July 25, 2007 - 6:11 PMVague as can be, but I get your drift. It's true. -
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This is the maximum depth. Additional responses will not be threaded.
Re: What do you do when the scene and you part ways but you still want to help the scene?
Wed, July 25, 2007 - 10:26 PMyou know me--i'm not mr. pop-tune guy, but i'm all over a good funk/soul/old-skool hiphop gig if i can play "the good stuff" and people will get into it. that's prolly more "overground" than you were talking about, but i think that sometimes we get too married to our "undie" status and it starts to limit what we can accomplish.
to me, you're only selling out if you do something you don't really like...
...for the money. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Thu, July 26, 2007 - 4:33 PM"to me, you're only selling out if you do something you don't really like...
...for the money."
/agreed!! -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Fri, July 27, 2007 - 12:36 PMFreeman made it clear and simple for me (this goes for "underground" events or dj's)
If your going to claim to be underground, then be underground.
If your going to be mainstream, then go mainstream.
Its really on a party by party basis. But DON'T try to mix the two.
I.E. oh lets say... CHARGING TO GET INTO KNAPPS CASTLE WHEN YOU DONT EVEN ASK PERMISSION TO BE THERE.
Sorry, for those of you who know what im talking about, i hope that example helped. -
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Fri, July 27, 2007 - 8:39 PMYa, I take that as saying don't try to be main stream in an underground setting. And, to boot, it's not very lucrative to be underground in a main stream setting.
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underground vs mainstream
Fri, July 27, 2007 - 11:26 PMit all depends on how you do it. on the other hand, i don't CLAIM to be undergound, i just happen to like some slightly obscure stuff.
i mean i hate it when i go to an "underground" event and hear hits all night, but it doesn't hurt to throw in one or two just to make the crowd go off--just as long as it isn't the MEAT of your set.
it's fun to get mainstream people so in the groove that they stop caring what you play... -
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Re: underground vs mainstream
Tue, August 7, 2007 - 11:13 AM"Ya, I take that as saying don't try to be main stream in an underground setting. And, to boot, it's not very lucrative to be underground in a main stream setting. "
*points to nose*
DING -
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Re: underground vs mainstream
Tue, August 7, 2007 - 4:50 PMDitto on the last. But the sad part about it is that much of the mainstream stuff lacks luster. So mainstream types are coming in as underground wanna-be's. They come into it without a clue and without a bother. It's just "cool" to them. They psytrance scene is becoming like this hardcore.
I was gonna rant on this... But decided not to.
The point is this. Be who you are and don't let other compromise that. There's nothing wrong with being mainstream or underground. Many times, those that are underground turn to the dark side for money, bookings, or whatever. Others stay true to who they are. But no matter the path you take, stay true to it. Otherwise you come out looking like a poser. -
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Re: underground vs mainstream
Tue, August 7, 2007 - 6:27 PMThat sounds good. Anyone wanna go see Tiesto? I just got some new glow gear.
LOL!!@!#!@#$@#$%^%#&^ -
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Re: underground vs mainstream
Thu, August 9, 2007 - 4:17 PMthanks josh...
...my gf was looking at me like "wtf? he's laughing at his laptop?"
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Re: What do you do when the scene and you part ways but you still want to help the scene?
Wed, January 23, 2008 - 3:29 PMit suxs. Yet it movement must go and it will. What it will come down to is, what have i done to help or slow it down. It took a while for me to grasp. Like a endless beat forever devloping. This can or will be your last stand or a fresh start.